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虚无的风景--王维与史蒂文森诗学研究

Acknowledgements第5-6页
摘要第6-7页
Abstract第7-8页
Introduction第11-13页
1. Philosophical Debate: East and West第13-20页
    1.1 Western philosoppy: being, becoming,nothingness第13-16页
        1.1.1 The primacy of being in Classical western philosophy第13页
        1.1.2 The intellectual dilemma in Modern western philosophy第13-16页
            1.1.2.1 Nietzsche'sBecoming第13-15页
            1.1.2.2 Heidegger: Being and Nothingness第15-16页
    1.2 Chinese Vision of universe: A dynamic harmony of Being and Nonthingnes第16-20页
        1.2.1 Confucianism:Moral and Social Being第16-17页
        1.2.2 Daoism: The dialectic monism of You and Wu(有与无Being and Nonbeing)第17-18页
        1.2.3 Chan Buddhism: Non-duality of Form and Emptiness(色与空Being and Nothingness)第18-20页
2 Foundation of Poetry: Philosophical Orientation第20-40页
    2.1 Truth第20-28页
        2.1.1 Wang Wei: Non-differentiation of ultimate and relative truth第20-24页
        2.1.2 Stevens:supreme fietion as ultimate truth第24-28页
    2.2 Self第28-40页
        2.2.1 Wang Wei: Non-self as true self第28-33页
        2.2.2 Stevens:Multiple Self as True Self第33-40页
3 The Becoming of Poetry:Aesthetic Strategy第40-62页
    3.1 Ethereal realm(空灵之境)and abstraction第40-54页
        3.1.1 Yi Jing(意境): The Essence of Chinese Poetic Aesthetics第40-43页
        3.1.2 Wang Wei's ethereal realm(空灵之境):the non-differentiation of Being and Nothingness第43-48页
        3.1.3 Stevens' abstraction: The Coexistent of Nothingness and Being第48-54页
    3.2 Capturing images with focused mind(凝情取象)and imagination第54-62页
        3.2.1 WangWei: Capturing images with focused mind(凝情取象)and decreation第54-58页
        3.2.2 Stevens:Reality and Imagination第58-62页
Conclusion第62-65页
Bibliography第65-67页

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