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The Development of Chinese Images in American Culture: from Mulan to Kung Fu Panda

ACKNOWLEDGEMENTS第8-9页
ABSTRACT第9页
摘要第10-13页
CHAPTER I INTRODUCTION第13-16页
    1.1 Research Background第13-14页
    1.2 Research Objectives第14页
    1.3 Structure of the Thesis第14-16页
CHAPTER Ⅱ LITERATURE REVIEW第16-31页
    2.1 Review of Chinese Images in American Culture and Studies on Weste 1mages of China in History第16-20页
        2.1.1 Brief Review of Chinese Images in American Culture in History第16-18页
        2.1.2 Studies on Western Images of China第18-20页
    2.2 Culture and Movie第20-22页
        2.2.1 Movie as a Form of Culture Carrier第21页
        2.2.2 The Role of International Movies in Cultural Communication第21-22页
    2.3 Theoretical Framework第22-31页
        2.3.1 Imagology第22-23页
        2.3.2 Taxonomies for Analyzing Cultural Patterns第23-29页
            2.3.2.1 Hofstede and Bond’s Cultural Dimensions第23-26页
            2.3.2.2 Kluckhohn and Strodtbek’s Value Orientations第26-29页
        2.3.3 Other Related Theories Used in This Thesis第29-31页
            2.3.3.1 Feminism in the United States第29页
            2.3.3.2 An Introduction of Traditional Chinese Philosophy第29-31页
CHPTERⅢ: THE DEVELEPMENT OF CHINESE IMAGES AMERICAN CULTURE第31-61页
    3.1 Methodology第31-35页
        3.1.1 Case Study & Comparative Analysis第31页
        3.1.2 Mulan Series第31-33页
        3.1.3 Kung Fu Panda第33-34页
        3.1.4 Research Questions第34-35页
    3.2 Results & Discussion第35-61页
        3.2.1 American Cultural Values Implanted in Mulan Series第35-51页
            3.2.1.1 Individualism第37-40页
            3.2.1.2 Low Power Distance第40-43页
            3.2.1.3 Competition and Desire for Success (High- Masculinity)第43-45页
            3.2.1.4 Short-term Orientation第45-46页
            3.2.1.5 A Feminism Touch第46-49页
            3.2.1.6 Summary第49-51页
        3.2.2 Chinese Value Orientations Implicated in Kung Fu Panda第51-61页
            3.2.2.1 Human Nature Orientation第51-52页
            3.2.2.2 Oneness of Human and Nature第52-54页
            3.2.2.3 Past Orientation第54-55页
            3.2.2.4 Being Orientation第55-56页
            3.2.2.5 A Hierarchical Interpersonal Relationship第56-57页
            3.2.2.6 Other Manifestations of Traditional Chinese Culture第57-59页
            3.2.2.7 Summary第59-61页
CHAPTER ⅣCONCLUSION第61-65页
    4.1 Conclusion第61-62页
    4.2 A Leap of Chinese Images: A Discussion of Reasons第62-63页
    4.3 Limitations of the Study and Implications for Future Research a第63-65页
Works Cited第65-67页

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