| ABSTRACT | 第1-4页 |
| 摘要 | 第4-12页 |
| Introduction and Literature Review | 第12-29页 |
| 1. A Survey of Kieslowski Critical Scholarship | 第13-15页 |
| 2. An Introduction to Film Theories of Realism and Lyricism | 第15-24页 |
| 3. The Focus and Scope of the Present Thesis | 第24-26页 |
| 4. Significance of the Thesis | 第26-29页 |
| Chapter One: The Man and His Works | 第29-45页 |
| ·Krzysztof Kieslowski's Life | 第29-34页 |
| ·Kieslowski's Realistic Approach----His Earlier Short Films | 第34-39页 |
| ·Kieslowski's Traumatized Experiences Which Affected His Works | 第39-45页 |
| Chapter Two: Blind Chance----Destiny | 第45-58页 |
| ·Analyzing Destiny through Plot Structure | 第46-50页 |
| ·Analyzing Destiny through Accidental Chances | 第50-53页 |
| ·Analyzing Destiny through the Important Scenes | 第53-56页 |
| ·Conclusion | 第56-58页 |
| Chapter Three: The Double Life of Veronique----Observing Destiny | 第58-71页 |
| ·Observing Destiny through the Important Scenes | 第59-62页 |
| ·Observing Destiny through the "Point of View" of a Soul | 第62-66页 |
| ·Observing Destiny through Symbols and Tonality | 第66-68页 |
| ·Conclusion | 第68-71页 |
| Chapter Four: The Three Colors Trilogy----Searching for the Meaning ofLife | 第71-85页 |
| ·A Brief Analysis of the Three Films | 第71-80页 |
| ·Blue | 第71-74页 |
| ·White | 第74-77页 |
| ·Red | 第77-80页 |
| ·The Three Films as a Whole | 第80-85页 |
| ·Destiny | 第80-82页 |
| ·The Moral Choices | 第82-83页 |
| ·Krzysztof Kieslowski's Pursuit of the Meaning of Life | 第83-85页 |
| Conclusion | 第85-93页 |
| 1. The Core Issue in Krzysztof Kieslowski's Films | 第85-89页 |
| 2. The Significance of Krzysztof Kieslowski's Films | 第89-90页 |
| 3. The Enlightenment that Krzysztof Kieslowski Gave Us | 第90-93页 |
| NOTES | 第93-97页 |
| Acknowledgements | 第97-98页 |
| 攻读学位期间发表的学术论文目录 | 第98页 |
