| ACKNOWLEDGEMENTS | 第7-10页 |
| INTRODUCTION | 第10-12页 |
| CHAPTER 1 AN ANALYSIS OF KEATS'S POETICS IN HIS LETTERS | 第12-29页 |
| 1．1 On Poetry | 第13-19页 |
| 1．1．1 Intensity | 第14-15页 |
| 1．1．2 Unobtrusiveness | 第15-16页 |
| 1．1．3 Naturalness | 第16-19页 |
| 1．2 On the Poet | 第19-29页 |
| 1．2．1 The Poet Giving Full Rein to His Imagination | 第19-22页 |
| 1．2．2 The Poet Possessing a Negative Capability | 第22-24页 |
| 1．2．3 The Poet Having No Identity | 第24-29页 |
| CHAPTER 2 A BRIEF SURVEY OF T． S． ELIOT'S "IMPERSONALITY" THEORY | 第29-36页 |
| 2．1 The Relationship between the Artist and the Tradition | 第31-33页 |
| 2．2 The Relationship between the Poet's Personal Emotions and Experience and Those Artistic Ones | 第33-34页 |
| 2．3 TheTransfer of the Personal Emotions Or Experience into the Artistic Ones | 第34-36页 |
| CHAPTER 3 A COMPARISON BETWEEN THOSE THEORIES OF KEATS'S AND ELIOT'S | 第36-46页 |
| 3．1 Similarities | 第36-39页 |
| 3．2 Differences | 第39-46页 |
| 3．2．1 Different Starting Points | 第39-40页 |
| 3．2．2 Different Attitudes toward Emotions | 第40-43页 |
| 3．2．3 Different Perspectives | 第43-46页 |
| CHAPTER 4 A SURVEY OF THE CAUSES OF THEIR DIFFERENCES | 第46-63页 |
| 4．1 Tradition and Historical Sense vs． Nature and Personal Senses | 第46-52页 |
| 4．1．1 Eliofs Religious Belief and His Understanding about the Amalgamation of Christianity and Culture | 第46-48页 |
| 4．1．2 Keats"s Medical Training and Scientific Education | 第48-52页 |
| 4．2 Universal Emotions vs． Heartfelt Emotions | 第52-56页 |
| 4．2．1 Eliot's Philosophical Concern and His Preference for the Metaphysical Poets | 第52-55页 |
| 4．2．2 Keats's Emphasis on Imagination as a Transcendence over Worldly Obstacles | 第55-56页 |
| 4．3 Poem as an Organic Unit vs． Poet Himself | 第56-63页 |
| 4．3．1 Eliofs Antipathy toward the Material Subjectivity and His Strong Sense of the Christian Tradition | 第56-59页 |
| 4．3．2 The Influence of Shakespeare and the Romantic Critics on Keats | 第59-63页 |
| CONCLUSION | 第63-65页 |
| BIBLIOGRAPHY | 第65-67页 |
