Acknowledgement | 第5-6页 |
摘要 | 第6-7页 |
Abstract | 第7-8页 |
1. Introduction | 第11-19页 |
1.1 Anne Sexton and her poetry | 第11-13页 |
1.2 Literature review | 第13-16页 |
1.3 Research task, method and thesis structure | 第16-19页 |
2. Foregrounding of Women's Writing by Depiction of the Female Body | 第19-37页 |
2.1 Sexton's recognition of the female body | 第19-28页 |
2.1.1 Female body in the familial perspective | 第20-25页 |
2.1.2 Female body in the social perspective | 第25-28页 |
2.2 Sexton's ideographical presentation of the female body | 第28-32页 |
2.2.1 Corpse doll and caged female body | 第28-30页 |
2.2.2 Barefoot and the freedom of the female body | 第30-31页 |
2.2.3 "Orange" in contrast with "apple" | 第31-32页 |
2.3 Sexton's understanding of the female body and women's writing | 第32-37页 |
2.3.1 Ambivalent topic confined in men's writing | 第32-34页 |
2.3.2 The significance of women's writing | 第34-37页 |
3. Poetic Rebellion against Patriarchal Control of the Female Body | 第37-46页 |
3.2 Sexton's challenge of paternally controlled religious writing | 第37-42页 |
3.2.1 The ambiguity of the gender of God | 第38-39页 |
3.2.2 The hominine awakening of Jesus Christ | 第39-41页 |
3.2.3 The creation of Ms. Dog as "God" | 第41-42页 |
3.3 Sexton's challenge of the paradigms of fairy tales | 第42-46页 |
3.3.1 Reshaping the corporal appearance of classical heroines | 第42-43页 |
3.3.2 Releasing female voices in fairy tales | 第43-46页 |
4. Construction of Women's Narrative Authority | 第46-52页 |
4.1 Women's experience articulated through the body | 第46-49页 |
4.1.1 The kinetic movement of the female body in space | 第46-48页 |
4.1.2 The kinetic movement of the female body in time | 第48-49页 |
4.2 Reflection on alienation and subjectivity | 第49-52页 |
4.2.1 Alienation of "otherness" | 第49-50页 |
4.2.2 A space of one's own:From subjectivity to authority | 第50-52页 |
5. Conclusion | 第52-55页 |
Bibliography | 第55-59页 |