| 摘要 | 第4-6页 |
| Abstract | 第6-8页 |
| Introduction | 第11-20页 |
| I. Intertextuality in Literary Texts: Intertextuality between Gone With theWind and Absalom, Absalom! | 第20-32页 |
| A. Similarity in Characters in the South | 第21-25页 |
| 1. Similarity in female images | 第21-23页 |
| 2. Similarity in male images | 第23-25页 |
| B. Similarity in the Authors’Attitudes towards the History of the South | 第25-32页 |
| 1. Mutual love for the South | 第26-28页 |
| 2. Viewing the history of the South in a reflexive and critical way | 第28-32页 |
| II. Intertextuality in Social Contexts: Intertextuality between Gone With theWind and Southern Social Values | 第32-48页 |
| A. Intertextuality Between Choices in Gone With the Wind and Change ofSocial Views in Southern Society | 第33-39页 |
| 1. Love choices in Gone With the Wind reflecting value orientation inSouthern society | 第33-36页 |
| 2. Entrepreneurial choices in Gone With the Wind reflecting valueorientation in Southern society | 第36-39页 |
| B. Intertextuality Between Racial Relationship in Gone With the Wind andRacial Relationship in Southern Society | 第39-48页 |
| 1. Racial segregation in Gone With the Wind reflecting racial relationshipin Southern society | 第40-43页 |
| 2. Racial violence reflecting racial relationship in Southern society | 第43-48页 |
| III. Intertextuality in Historical Background: Intertextuality between GoneWith the Wind and the Life of Its Author Margaret Mitchell | 第48-61页 |
| A. Intertextuality between the Author’s and the Novel’s Irish Heritage | 第49-54页 |
| 1. Similarity in Irish Ancestry of Margaret Mitchell and ScarlettO’Hara | 第49-52页 |
| 2. Similarity in Irish Spirits of Margaret Mitchell and ScarlettO’Hara | 第52-54页 |
| B. Intertextuality in Dilemma of Author's and Heroine's Constructing theirIdentities | 第54-61页 |
| 1. Both Challenging the traditional rules for women | 第55-58页 |
| 2. Both surrendering to the conventional gender relations | 第58-61页 |
| Conclusion | 第61-64页 |
| Works Cited | 第64-74页 |
| Acknowledgements | 第74-75页 |
