| ACKNOWLEDGEMENTS | 第9-10页 |
| ABSTRACT | 第10页 |
| 摘要 | 第11-14页 |
| CHAPTER Ⅰ INTRODUCTION | 第14-17页 |
| 1.1 Kazue Ishiguro and His Works | 第14-15页 |
| 1.2 A Brief Introduction to The Remains of the Day | 第15-17页 |
| CHAPTER Ⅱ LITERATURE REVIEW | 第17-23页 |
| 2.1 Studies Abroad | 第17-20页 |
| 2.2 Studies at Home | 第20-23页 |
| CHAPTER Ⅲ THEORETICAL FRAMEWORK | 第23-32页 |
| 3.1 Literariness | 第23-24页 |
| 3.2 Origin and Tenets of Defamiliarization | 第24-26页 |
| 3.3 Formal Method Concerning Defamiliarization | 第26-32页 |
| 3.3.1 Defamiliarization in Point of View | 第27-28页 |
| 3.3.2 Defamiliarization in Plot Construction | 第28-29页 |
| 3.3.3 Poetic Language | 第29-32页 |
| CHAPTER Ⅳ DEFAMILIARIZED POINT OF VIEW IN THE REMAINS OF THEDAY | 第32-48页 |
| 4.1 Love in Stevens’ Point of View | 第33-41页 |
| 4.1.1 Stevens’ Ignorance of Love for Miss Kenton | 第33-38页 |
| 4.1.2 Stevens’ Ignorance of Love for His Father | 第38-41页 |
| 4.2 History in Stevens’ Point of View | 第41-48页 |
| 4.2.1 Stevens’ Blind Pride for His Country | 第42-44页 |
| 4.2.2 Stevens’ Blind Trust on His Master | 第44-48页 |
| CHAPTER Ⅴ DEFAMILIARIZED PLOT CONSTRUCTION IN THE REMAINS OFTHE DAY | 第48-60页 |
| 5.1 Flashback | 第48-53页 |
| 5.1.1 Flashback to Imitate the Way of Memory | 第49-51页 |
| 5.1.2 Flashback to Build Contradiction | 第51-53页 |
| 5.2 Retardation | 第53-60页 |
| 5.2.1 Retardation between Sections | 第54-57页 |
| 5.2.2 Retardation in a Section | 第57-60页 |
| CHAPTER Ⅵ DEFAMILIARIZED LANGUAGE IN THE REMAINS OF THE DAY | 第60-75页 |
| 6.1 Calm Tone with Turmoil Underneath | 第60-66页 |
| 6.1.1Controlled Voice for Setting the Tone | 第61-63页 |
| 6.1.2 Controlled Voice for Characterization | 第63-66页 |
| 6.2 Repetition | 第66-75页 |
| 6.2.1 Repetition for Theme Enforcement | 第68-72页 |
| 6.2.2 Repetition for Characterization | 第72-75页 |
| CHAPTER Ⅶ CONCLUSION | 第75-77页 |
| WORKS CITED | 第77-80页 |
