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性别理论视阈下苏珊·格拉斯佩尔与尤金·奥尼尔剧作比较研究

摘要第5-6页
ABSTRACT第6-7页
Introduction第10-14页
    0.1 Background of the Research第10-12页
    0.2 Content of the Research第12页
    0.3 Significance of the Research第12-14页
Chapter 1 Literature Review第14-22页
    1.1 Literature Review of Susan Glaspell's Studies at Home and Abroad第14-17页
    1.2 Literature Review of Eugene O'Neill's Studies at Home and Abroad第17-22页
Chapter 2 Survey of Gender Theory and Its Applications第22-30页
    2.1 Formation and Development of Gender Theory第22-25页
    2.2 Content of Gender Theory第25-27页
        2.2.1 Gender Differences第25-26页
        2.2.2 Gender Roles第26-27页
        2.2.3 Gender System第27页
    2.3 Application of Gender Theory in Literature Analysis第27-30页
Chapter 3 Analysis of Female Characters in Glaspell's Plays第30-42页
    3.1 Analysis of Female Characters in Trifles第30-34页
        3.1.1 Predicament of "Absent" Female Protagonist in Trifles第30-32页
        3.1.2 Resistance of "Present" Female Protagonist in Trifles第32-34页
    3.2 Analysis of the Heroine in Close the Book第34-37页
        3.2.1 Heroine's Identity in Close the Book第34-36页
        3.2.2 Reconstruction of Heroine's Identity and its Significance第36-37页
    3.3 Female Characters' Subversion to Conventional Bondage第37-42页
Chapter 4 Analysis of Female Characters in O'Neill's Plays第42-56页
    4.1 Absence and Presence of Female Characters in O'Neill's Plays第42-47页
        4.1.1 Analysis of the Present Female Character in Before the Breakfast第42-44页
        4.1.2 Analysis of the Absent Female Characters in The Iceman Cometh第44-47页
    4.2 Analysis of the Heroine in Strange Interlude第47-53页
        4.2.1 Rebellion of Nina for "God the Father"第47-50页
        4.2.2 Regression of Nina for "God the Father"第50-53页
    4.3 Failure of Female Characters' Rebellion in O'Neill's Plays第53-56页
Conclusion第56-58页
Bibliography第58-63页
Acknowledgements第63-64页
Appendix 攻读学位期间发表的学术论文及主持参加的科研项目第64-65页
中文详细摘要第65-68页

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