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女性主义视野下英语世界对《红楼梦》中女性形象的历时性阐释

摘要第6-7页
Abstract第7-8页
CHAPTER ONE INTRODUCTION第11-18页
    1.1 Research Background第11-14页
        1.1.1 Brief Introduction of Hong Lou Meng第11-12页
        1.1.2 Briefing on the English Translation Versions of Hong Lou Meng第12-14页
    1.2 Literature Review第14-16页
        1.2.1 Previous Studies on Hong Lou Meng in English World第14-15页
        1.2.2 Previous Studies on Female Characters in Hong Lou Meng第15-16页
    1.3 Purpose and Significance of the Study第16-17页
    1.4 General organization of the Thesis第17-18页
CHAPTER TWO THEORETICAL BASIS:FEMINIST LITERARY THEORY第18-27页
    2.1 Brief introduction of Feminism第18-20页
        2.1.1 Definition and Origin of Feminism第18-19页
        2.1.2 Three Historical Period of Feminist Movements第19-20页
    2.2 Feminist Literary Criticism第20-27页
        2.2.1 Unequal Female Status and Female Self-consciousness第20-22页
        2.2.2 Distortion of Female Images in Patriarchal Society第22-24页
        2.2.3 Women Reading Perspective第24-25页
        2.2.4 Androgyny Perspective第25-27页
CHAPTER THREE DIACHRONIC INTERPRETATION OF FEMALE IMAGES OFHONG LOU MENG IN ENGLISH WORLD第27-44页
    3.1 From 1960s-1970s:Superficial Studies of Female Characters in Hong Lou Meng第28-32页
        3.1.1 Bodily Form Focus:Women Characters Analysis第28-29页
        3.1.2 Praise of Baochai and Criticism of Daiyu第29-31页
        3.1.3 Portrait of Special Figure:Liu Laolao第31-32页
    3.2 Multi Perspectives in the 1980s:Studies on Female Characters in Hong Lou Meng第32-38页
        3.2.1 Analysis of Lin Daiyu's Tragic Personalities第32-33页
        3.2.2 Subversion of Patriarchy under Feminism Perspective第33-34页
        3.2.3 Description of Maids and Servants in Hong Lou Meng第34-36页
        3.2.4 A Woman Reading:Lin Daiyu under the Patriarchal Society---Cui Yingying in Lin Daiyu's eyes第36-38页
    3.3 Since the 1990s:Wide Application of Feminist Theory第38-44页
        3.3.1 Androgyny Vision in Hong Lou Meng第38-39页
        3.3.2 Women Warriors:The Threat to Patriarchy第39-41页
        3.3.3 Female Superiority Through Mystic Discourse第41-42页
        3.3.4 Twelve Beauties of Jingling:Tragic lives of feudal women第42-44页
CHAPTER FOUR MISREADING OF FEMALE FIGURES IN HONG LOU MENGIN ENGLISH WORLD第44-55页
    4.1 One-sided and Stereotyped Interpretations of Female Figures第44-49页
        4.1.1 Superficial and One-sided Interpretations of Some Chief Female Characters第45-46页
        4.1.2 Shrew:Stereotyped Image of Wang Xifeng第46-48页
        4.1.3 Polluted Women:Twisted and Alienated Images of Married Women in Hong Lou Meng第48-49页
    4.2 Over-interpretations of Western Literary Theories第49-52页
        4.2.1 Andrew Plaks' Analysis of Women Characters in Hong Lou Meng第50-51页
        4.2.2 Over-interpretation of Feminist Theory in Analysis of Hong Lou Meng第51-52页
    4.3 Reasons of the Misreading第52-55页
CHAPTER FIVE CONCLUSION第55-57页
    5.1 Findings第55-56页
    5.2 Limitations of the Present Study and Suggestions for Further Study第56-57页
BIBLIOGRAPHY第57-61页
ACKNOWLEDGEMENTS第61-62页
PAPER(S) PUBLISHED DURING MA STUDIES第62页

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