| ACKNOWLEDGEMENTS | 第1-4页 |
| ABSTRACT IN ENGLISH | 第4-6页 |
| ABSTRACT IN CHINESE | 第6-8页 |
| TABLE OF CONTENTS | 第8-9页 |
| 1． Introduction | 第9-13页 |
| 2． Catch-22 and the War Novel, Satire, and Social Protest | 第13-47页 |
| 2．1 Catch-22 and the War Novel | 第13-21页 |
| 2．1．1 The Definition of a ”War Novel” | 第13-16页 |
| 2．1．2 The Difference in Heller's ”War Novel” | 第16-18页 |
| 2．1．3 The Link with Traditional War Fiction | 第18-21页 |
| 2．2 Catch-22 and Satire | 第21-41页 |
| 2．2．1 Catch-22's Satire Takes Several Overlapping Forms | 第21-30页 |
| 2．2．2 The Definition of Satire and Catch-22 | 第30-32页 |
| 2．2．3 A Brief Comparison of Catch-22 and 1984 | 第32-37页 |
| 2．2．4 Catch-22 is A Fable, not A Traditional Satire | 第37-41页 |
| 2．3 Catch-22 and Social Protest | 第41-47页 |
| 3． Catch-22:Its Structure and Meaning | 第47-78页 |
| 3．1 The Structure of Catch-22 | 第47-71页 |
| 3．1．1 Heller's Intentions to Catch-22's Structure | 第47-50页 |
| 3．1．2 The Formlessness of Catch-22 | 第50-56页 |
| 3．1．3 The Remarked Repetitions of Catch-22 | 第56-69页 |
| 3．1．4 Three Parts of Catch-22 | 第69-71页 |
| 3．2 The Meaning of Catch-22 | 第71-78页 |
| 4． Conclusion | 第78-80页 |
| BIBLIOGRAPH | 第80-82页 |
