| ACKNOWLEDGEMENT | 第1-5页 |
| ABSTRACT | 第5-6页 |
| 中文摘要 | 第6-7页 |
| ABBREVIATIONS IN THIS THESIS | 第7-8页 |
| CONTENTS | 第8-9页 |
| CHAPTER ONE INTRODUCTION | 第9-20页 |
| ·GENESIS OF THE WAVES | 第9-10页 |
| ·LITERATURE REVIEW ON THE WAVES | 第10-14页 |
| ·International Study | 第10-13页 |
| ·Domestic Study | 第13-14页 |
| ·ECOFEMINISM:THE THEORETICAL APPROACH OF THIS THESIS | 第14-18页 |
| ·THE FRAMEWORK OF THIS THESIS | 第18-20页 |
| CHAPTER TWO RHAPSODIC SCENES OF NATURALIZED WOMEN | 第20-36页 |
| ·SUSAN:EARTH-BOUND COMPLEX | 第20-26页 |
| ·Earth-based Myth and Meaning | 第20-22页 |
| ·Identification with Nature | 第22-24页 |
| ·Victimized Women and Nature | 第24-26页 |
| ·JINNY:"THE BODY LIVES A LIFE OF ITS OWN" | 第26-30页 |
| ·Poetic Representation of the Fire | 第26-27页 |
| ·Jinny's Reign as Sun Goddess | 第27-28页 |
| ·Transcendent Power of the Female Body | 第28-30页 |
| ·RHODA:WATER AND DREAMS | 第30-36页 |
| ·Transformation of Water | 第30-32页 |
| ·A Mythic Reference to Artemis Cult | 第32-34页 |
| ·Death in Water | 第34-36页 |
| CHAPTER THREE ONE WORLD,ONE LIFE:ECOFEMINIST'S PARADIGM IN THE WAVES | 第36-48页 |
| ·BLURRING BOUNDARY IN NATURE AND HUMAN WORLD | 第36-39页 |
| ·Cyclical Reality in Interludes | 第36-37页 |
| ·Vibrating between the impersonal and personal in Episodes | 第37-39页 |
| ·THE SCENES OF SILENCE | 第39-43页 |
| ·Aesthetics of Silence | 第39-40页 |
| ·Collapsed Contraries | 第40-43页 |
| ·AN ECOLOGICAL MINDSCAPE OF UNITY | 第43-48页 |
| ·Dissolving Self in Moments of Being | 第44-46页 |
| ·Weaving the Visions in New Pattern of Nature and Gender | 第46-48页 |
| CHAPTER FOUR "A LANDSCAPE OF MIND":VIRGINIA WOOLF'S BOND WITH NATURE | 第48-55页 |
| ·WOOLF'S READING OF NATURE | 第48-50页 |
| ·CAUSE OF WOOLF'S AFFINITY WITH NATURE | 第50-55页 |
| ·Reveries of Childhood | 第50-51页 |
| ·Influence of Romanticism | 第51-52页 |
| ·Constructive Power of Woolf's Depressive-Madness | 第52-53页 |
| ·Traumatic War Experience | 第53-55页 |
| CONCLUSION | 第55-57页 |
| BIBLIOGRAPHY | 第57-60页 |
