| Abstract(in Chinese) | 第4-6页 |
| Abstract (in English) | 第6-8页 |
| Introduction | 第11-17页 |
| Chapter One Painting Factors in Forming Woolf’s Artistic View of Novel-writing | 第17-26页 |
| 1.1 The Influence of Painting Factors on Fiction | 第17-19页 |
| 1.2 Paul Gauguin’s Theory of Synthetism | 第19-22页 |
| 1.3 The Influence of Post-impressionism on Woolf’s Novel-writing | 第22-26页 |
| Chapter Two Painting Factors in Expressing the Theme of Life in The Waves | 第26-37页 |
| 2.1 Color and Lines in Paul Gauguin’s Where Do We Come From? What Are We? Where Are We Going? | 第26-30页 |
| 2.2 Expression of Efflux of Life by Using Color in The Waves | 第30-33页 |
| 2.3 Expression of Poetic Life by Using Lines in The Waves | 第33-37页 |
| Chapter Three Painting Factors in Expressing the Theme of Time in The Waves | 第37-51页 |
| 3.1 Multi-perspective and Simplification in Paul Gauguin’s Two Tahitian Women | 第37-42页 |
| 3.2 Presentation by Using Multi-perspective in The Waves | 第42-47页 |
| 3.3 “Important Moments”by using Simplification in The Waves | 第47-51页 |
| Chapter Four Painting Factors in Expressing the Theme of Death in The Waves | 第51-61页 |
| 4.1 Painting Design and Deformation in Paul Gauguin’s The White Horse | 第51-53页 |
| 4.2 Expression of Inevitable Death by Using Painting Design in The Waves | 第53-56页 |
| 4.3 Expression of Cycle of Death by Using Deformation in The Waves | 第56-61页 |
| Conclusion | 第61-65页 |
| Bibliography | 第65-68页 |
| Acknowledgments | 第68-69页 |
| 个人简历 | 第69页 |
