| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Introduction | 第8-13页 |
| 1. Khaled Hosseini and The Kite Runner | 第8-9页 |
| 2. Literature Review | 第9-11页 |
| 3. Layout of the thesis | 第11-13页 |
| Chapter One: Dalogical and Polyphonic Features of The Kite Runner | 第13-20页 |
| 1.1 The Origin and Development of Dialogism and Polyphony | 第13-15页 |
| 1.2 The Polyphony of Novel Structure | 第15-17页 |
| 1.3 The Polyphony of Imageries | 第17-20页 |
| Chapter Two: Dialogism on the Plot of The Kite Runner | 第20-37页 |
| 2.1 Dialogue between Amir and Hassan | 第20-26页 |
| 2.1.1 Brothers in Nature | 第21-22页 |
| 2.1.2 A Path that Diverges: Status, Temperament and Fate | 第22-26页 |
| 2.2 Dialogue between Amir and Baba | 第26-32页 |
| 2.2.1 The Expectation against Being Expected | 第27-29页 |
| 2.2.2 The Shift of Being Weak or Strong | 第29-32页 |
| 2.3 Dialogue between Amir and Himself | 第32-37页 |
| 2.3.1 The Causes of Agony and Conflicts | 第33-35页 |
| 2.3.2 The Journey of Redemption | 第35-37页 |
| Chapter Three: Dialogism beyond the Plot | 第37-48页 |
| 3.1 Hosseini and Amir: Reality or Fiction | 第37-41页 |
| 3.1.1 The Subjectivity of the Author's Consciousness | 第37-39页 |
| 3.1.2 The Enhancement of the Hero's Self-awareness | 第39-41页 |
| 3.2 Dialogue across Nations and Cultures | 第41-48页 |
| 3.2.1 The Novelist Uttering for two Nations | 第41-44页 |
| 3.2.2 The Dialogue between the Pashtuns and the Hazaras | 第44-45页 |
| 3.2.3 The Absence of Female Voices | 第45-48页 |
| Conclusion | 第48-50页 |
| Bibliography | 第50-54页 |
| Acknowledgements | 第54页 |
