| Abstract | 第1-7页 |
| 摘要 | 第7-11页 |
| Chapter One Introduction | 第11-15页 |
| ·Background of the Research | 第11-12页 |
| ·Purpose and Significance of Research | 第12页 |
| ·Methodology of the Research | 第12-13页 |
| ·Organization of the Thesis | 第13-15页 |
| Chapter Two Literature Review | 第15-19页 |
| ·Present Research Abroad and at Home of Multimodal Discourse | 第15-17页 |
| ·Present Research Abroad | 第15-16页 |
| ·Present Research at Home | 第16-17页 |
| ·Research on Film Discourse | 第17-19页 |
| ·Introduction of Multimodal Study of Film Discourse | 第17页 |
| ·Development of Film Discourse with Functional Approach | 第17-19页 |
| Chapter Three Theoretical Framework | 第19-28页 |
| ·Defining Multimodality | 第19-21页 |
| ·Theories Related to Multimodality | 第21-28页 |
| ·Halliday's Systemic Functional Grammar | 第21-22页 |
| ·Kress & van Leeuwen's Visual Grammar | 第22-28页 |
| ·Representational Meaning | 第23-24页 |
| ·Interactive Meaning | 第24-27页 |
| ·Compositional Meaning | 第27-28页 |
| Chapter Four A Case Study of The Legend of 1900 | 第28-53页 |
| ·Introduction to The Legend of 1900 | 第28页 |
| ·Visually Analysis | 第28-44页 |
| ·Analysis from the Representational Meaning | 第28-32页 |
| ·The Representation of the Narrative Process | 第29-30页 |
| ·The Representation of the Conceptual Process | 第30-32页 |
| ·Analysis from the Interactive Meaning | 第32-42页 |
| ·The Image Act and the Gaze | 第32-33页 |
| ·Size of Frame and Social Distance | 第33-35页 |
| ·Perspective:Involvement and Power | 第35-37页 |
| ·Modality | 第37-42页 |
| ·Analysis from the Compositional Meaning | 第42-44页 |
| ·Information Value | 第42-43页 |
| ·Salience | 第43页 |
| ·Framing | 第43-44页 |
| ·Acoustically Analysis | 第44-53页 |
| ·Three Metafunctions of Speech | 第45-47页 |
| ·Interactive Meaning of Speech | 第47-53页 |
| Chapter Five Conclusion | 第53-55页 |
| ·Summary of Thesis | 第53页 |
| ·Limitations and Suggestions for Further Studies | 第53-55页 |
| Bibliography | 第55-58页 |
| Acknowledgements | 第58页 |
