| ACKNOWLEDGEMENTS | 第1-7页 |
| ABSTRACT | 第7-8页 |
| 摘要 | 第8-14页 |
| CHAPTER 1 INTRODUCTION | 第14-19页 |
| ·THE RATIONALE OF THE STUDY | 第14-16页 |
| ·OBJECTIVES OF THE STUDY | 第16-17页 |
| ·METHODOLOGY OF THE STUDY | 第17页 |
| ·OUTLINE OF THE DISSERTATION | 第17-19页 |
| CHAPTER 2 STYLISTICS OF DRAMA: THE STATE OF THE ART | 第19-28页 |
| ·THE PRE-STYLISTIC PERIOD | 第20-21页 |
| ·The traditional literary critical approach | 第20-21页 |
| ·The rhetorical-poetic approach | 第21页 |
| ·THE EARLY STYLISTIC PERIOD: THE POETIC-FICTIONAL APPROACH | 第21-23页 |
| ·THE PRAGMATIC AND DISCOURSE ANALYSIS PERIOD: THE STUDY OF THE DIALOGUE | 第23-24页 |
| ·THE PRAGMASTYLISTIC PERIOD: THE STUDY OF STAGE DIRECTIONS | 第24-25页 |
| ·A COMPARISON AND CONTRAST OF THE DIFFERENT APPROACHES | 第25-27页 |
| ·SUMMARY | 第27-28页 |
| CHAPTER 3 PRAGMATICS AS A PERSPECTIVE ON DRAMATIC TEXTS | 第28-39页 |
| ·THE VIEW OF PRAGMATICS AS A TOOL KIT | 第28-29页 |
| ·THE VIEW OF PRAGMATICS AS A PERSPECTIVE ON LANGUAGE | 第29-31页 |
| ·DIFFERENT CONTRIBUTIONS OF DISCOURSE ANALYSISS AND PRAGMATICS TO STYLISTICS OF DRAMA | 第31-32页 |
| ·A PRAGMATIC PERSPECTIVE ON THE DRAMATIC TEXTS | 第32-38页 |
| ·The phonological level | 第33-36页 |
| ·The semantic level | 第36-38页 |
| ·SUMMARY | 第38-39页 |
| CHAPTER 4 STAGE DIRECTIONS AS AN IMPORTANT COMPONENT OF THE DRAMATIC TEXT | 第39-76页 |
| ·SOME THEORETICAL PRELIMINARIES | 第39-55页 |
| ·Which is the object of stylistics of drama, text or performance? | 第39-43页 |
| ·The double-level structure of the dramatic discourse | 第43-49页 |
| ·The production and comprehension of dramatic message | 第49-51页 |
| ·Speech, act, and semiotics | 第51-54页 |
| ·“Video discourse analysis”and “visualized discourse analysis” | 第54-55页 |
| ·STAGE DIRECTIONS AS AN IMPORTANT COMPONENT OF THE DRAMATIC TEXT | 第55-73页 |
| ·Deletion and substitution: A way to elicit the importance of stage directions | 第56-69页 |
| ·Stage directions in classical plays | 第69-73页 |
| ·SUMMARY | 第73-76页 |
| CHAPTER 5 FROM PAGE TO STAGE: A PRAGMASTYLISTYLISTIC PERSPECTIVE ON STAGE DIRECTIONS | 第76-103页 |
| ·PRAGMASTYLISTICS OF DRAMA: AN INTEGRATED THEORY | 第76-83页 |
| ·Defining pragmastylistics of drama | 第76-79页 |
| ·Research questions drama pragmastylisticians attempt to answer | 第79-80页 |
| ·The procedure for pragmastylistic analysis of dramatic texts | 第80-83页 |
| ·A PRAGMASTYLISTIC PERSPECTIVE ON STAGE DIRECTIONS OF DRAMA | 第83-102页 |
| ·A pragmastylistic perspective on stage directions | 第83-85页 |
| ·An analytical procedure of stage directions | 第85-96页 |
| ·Analyzing and tagging the stage direction unit: An example | 第96-102页 |
| ·SUMMARY | 第102-103页 |
| CHAPTER 6 CHARACTERIZATION REVEALED IN STAGE DIRECTIONS: A PRAGMASTYLISTIC ANALYSIS OF THREE SAMPLES FROM IBSEN’S A DOLL’S HOUSE | 第103-131页 |
| ·INTRODUCTION | 第104-106页 |
| ·Yu’s stylistic study of the play | 第105页 |
| ·My research questions | 第105-106页 |
| ·METHODOLOGY | 第106-108页 |
| ·Samples for analysis | 第106-108页 |
| ·Process of analysis | 第108页 |
| ·RESULTS AND DISCUSSION | 第108-128页 |
| ·General statistics | 第108-117页 |
| ·Characterization revealed by stage directions | 第117-128页 |
| ·SUMMARY | 第128-131页 |
| CHAPTER 7 CONCLUSION | 第131-138页 |
| ·SUMMARY OF THE STUDY | 第131-133页 |
| ·SIGNIFICANCE OF THE STUDY | 第133-134页 |
| ·IMPLICATIONS OF THE STUDY | 第134-136页 |
| ·LIMITATIONS OF THE STUDY AND SUGGESTIONS FOR FURTHER EXPLORATION | 第136-138页 |
| APPENDIX: ANALYSIS AND TAGGING OF THE STAGE DIRECTIONS OF THREE SAMPLES FROM IBSEN’S A DOLL’S HOUSE | 第138-183页 |
| REFERENCES | 第183-188页 |
