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美国电视剧在中国的跨文化传播研究

摘要第4-6页
Abstract第6-7页
Introduction第10-15页
Chapter One Features of American TV Series’ Communication in China第15-33页
    1.1 Traits of American TV Series第16-21页
        1.1.1 Various Genres第16-17页
        1.1.2 Unique Season System第17-19页
        1.1.3 Mature and Meticulous Production第19-21页
    1.2 American TV Series’ Alternative Communication Channels in China第21-26页
        1.2.1 Warm Reception on Internet第21-22页
        1.2.2 Cold Reception on TV Channels第22-26页
    1.3 Fansub Groups behind the Communication第26-31页
        1.3.1 Definitions of Subtitles and Fansub Groups第26-27页
        1.3.2 Brief History of Fansub Groups in China第27-28页
        1.3.3 Working Procedures of Fansub Groups第28-31页
    1.4 Minority and Elitism of American TV Series’ Audiences in China第31-33页
Chapter Two Chinese Audiences’ Intercultural Reception of American TV series第33-43页
    2.1 The Cultural Conflicts in Audiences’ Reception第33-37页
        2.1.1 Collectivism versus Individualism第33-35页
        2.1.2 Direct Style versus Indirect Style in Communication第35-37页
        2.1.3 Sex versus Love第37页
    2.2 The Psychological Analysis of the Audiences’ Reception第37-43页
        2.2.1 Universal Values Catered to the Audiences第37-39页
        2.2.2 The Audiences’ Curiosity for Exotic Cultures第39-41页
        2.2.3 Psychological Superiority of the Elites第41-43页
Chapter Three The Influences of American TV Series’ Communication in China第43-51页
    3.1 The Cultural Superiorities of American TV Series in Intercultural Communication第43-45页
        3.1.1 Advantages of Low Context Culture第43-44页
        3.1.2 The Strong Influence of Mighty Cultures第44-45页
    3.2 Cultural Penetration behind American TV Series第45-47页
    3.3 Inspirations on How to Increase Cultural Soft Power of Chinese TV series第47-51页
        3.3.1 Optimization of Production and Broadcast Systems第47-48页
        3.3.2 Combination of Internationalization and Chinese Cultural Characteristics第48-51页
Conclusion第51-53页
Bibliography第53-56页
Acknowledgements第56页

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