| Abstract in Chinese | 第1-4页 |
| 英文摘要 | 第4-5页 |
| Acknowledgements | 第5-6页 |
| Table of Contents | 第6-7页 |
| Chapter | 第7页 |
| 1． Introduction | 第7-15页 |
| 1．1 A Brief Introduction to the Chinese American Literature's Origin and Development | 第7-9页 |
| 1．2 An Introduction to Kinston and Her Major Works | 第9-12页 |
| 1．3 Reviews on The Woman Warrior | 第12-15页 |
| 2． On the Narrative Strategy of The Woman Warrior: The Organization of Ideas | 第15-27页 |
| 2．1 Synopsis of The Woman Warrior | 第15-19页 |
| 2．2 Victor and Victim: Blending of Identities | 第19-27页 |
| 3． No Name Woman & Fa Mu Lan: Seeking Female Subjectivity | 第27-34页 |
| 4． Hua Mulan & Fa Mu Lan: Issue of Feminine Sexual Features | 第34-46页 |
| 4．1 The Ballad of Mulan | 第34-36页 |
| 4．2 Image of Fa Mu Lan in ”White Tigers” | 第36-40页 |
| 4．3 Different Approaches to the Feminine Sexual Features | 第40-46页 |
| 5． Ts'ai Yen & ”I”: Seeking Feminine Discourse and Writing Power | 第46-55页 |
| 6． Conclusion | 第55-63页 |
| 6．1 The Strategy of Misreading of Chinese Culture | 第55-59页 |
| 6．2 Politicalization of Culture | 第59-63页 |
| Bibliography | 第63-65页 |
