| Abstract | 第1-5页 |
| 摘要 | 第5-6页 |
| Contents | 第6-7页 |
| Introduction | 第7-12页 |
| 1 Literary Review of The Collector | 第8-10页 |
| 2 The Contents and Significance of This Thesis | 第10-12页 |
| Chapter One Intertextuality and The Collector | 第12-18页 |
| ·The Formation of Intertextuality | 第12-14页 |
| ·Main Representatives of Intertextuality | 第14-16页 |
| ·Readers Role in Intertextual Analysis | 第16-17页 |
| ·Intertextuality in The Collector | 第17-18页 |
| Chapter Two Allusion to The Tempest | 第18-32页 |
| ·Allusion and The Tempest | 第18-20页 |
| ·Clegg: Caliban or Ferdinand? | 第20-25页 |
| ·Intertextual Reading of Miranda and G. P. | 第25-30页 |
| ·Fowles v.s. Shakespeare: Different Narrative Techniques | 第30-32页 |
| Chapter Three Intertextuality with Lolita | 第32-40页 |
| ·Theory Background | 第32-33页 |
| ·Intertextual Reading of Clegg with Humbert | 第33-36页 |
| ·The Objectification of Human Nature | 第36-40页 |
| Chapter Four Intertextual Reading of Clegg and Miranda | 第40-48页 |
| ·The Collector: a Polyphnic Novel | 第40-42页 |
| ·Intertextual Reading of Clegg and Miranda | 第42-46页 |
| ·Double Narrative to Efface the Godlike Author | 第46-48页 |
| Chapter Five Allusion to Freud and Fowles's the Nemo | 第48-53页 |
| ·Allusion to Freudian Psychoanalysis | 第48-50页 |
| ·Intertext of the Nemo (in Clegg | 第50-53页 |
| Conclusion | 第53-56页 |
| Notes | 第56-59页 |
| Works Cited | 第59-61页 |
| Bibliogrophy | 第61-64页 |
| Acknowledgement | 第64页 |
