| 摘要 | 第1-8页 |
| ABSTRACT | 第8-11页 |
| INTRODUCTION | 第11-15页 |
| Chapter One The Balance between Realism and Modernism | 第15-44页 |
| 1.Realism as Principle of Literary Creation | 第15-27页 |
| 1) Representation of the Factuality of Life | 第18-21页 |
| 2) Objective Attitude in Writing | 第21-23页 |
| 3) Authenticity of the Artistic Description | 第23-27页 |
| 2.Modernistic Features | 第27-40页 |
| 1) Psychoanalysis | 第28-33页 |
| 2) Interior Monologue | 第33-36页 |
| 3) Symbol and Image | 第36-40页 |
| 3.The Balance between Realism and Modernism | 第40-44页 |
| Chapter Two The Balance between the Two Sexes | 第44-64页 |
| 1.Mutual Attraction and Reciprocal Conflict between Man and Woman | 第45-59页 |
| 1) Tom v. Lydia: Pastoral Harmony Love | 第47-49页 |
| 2) Anna v. Will: Physical Pleasure Love | 第49-51页 |
| 3) Ursula v. Skrebensky: Anguished and Fruitless Love | 第51-53页 |
| 4) Gudrun v. Gerald: Destructive Love | 第53-56页 |
| 5) Ursula v. Birkin: Constructive Love | 第56-59页 |
| 2. Consummate Balance between Man and Woman | 第59-64页 |
| Chapter Three The Balance between Man and Nature | 第64-77页 |
| 1.T he Mutual Blending of Man and Nature | 第64-68页 |
| 1) Man as the Child of Nature | 第64-66页 |
| 2) Nature as the Mystic Power to Awake Man’s Instinct | 第66-68页 |
| 2.R eciprocal Conflict between Man and Nature | 第68-73页 |
| 1) The Destruction of Nature Made by Man | 第68-71页 |
| 2) Nature’s Reprisal upon Man | 第71-73页 |
| 3.T he Harmonious Relationship between Man and Nature | 第73-77页 |
| Conclusion | 第77-80页 |
| Notes | 第80-83页 |
| Bibliography | 第83-88页 |
| ACKNOWLEDGEMENTS | 第88-89页 |
| PUBLICATION | 第89页 |
