| 中文摘要 | 第1-9页 |
| ABSTRACT | 第9-11页 |
| ABBREVIATION | 第11-12页 |
| INTRODUCTION | 第12-15页 |
| CHAPTER Ⅰ LIFE ENNOBLED BY JAZZ | 第15-25页 |
| ·Social Soil of Jazz: Jazz Age and Harlem Renaissance | 第15-20页 |
| ·A Writer’s Initial Dream to Become A Jazz Musician | 第20-25页 |
| CHAPTER Ⅱ CULTURAL AND LITERARY IDEAS BASED ON JAZZ | 第25-34页 |
| ·Jazz as the Metaphor of American Culture | 第25-30页 |
| ·Common Ground: Diversity of Resources | 第25-27页 |
| ·Democracy and African American Identity Exhibited in Jazz | 第27-30页 |
| ·Reading Jazz Notes into Literature | 第30-34页 |
| ·Basic Literary Ideas Expressed via Jazz | 第30-31页 |
| ·Appreciation of Literary Works in a Jazz View | 第31-34页 |
| CHAPTER Ⅲ VISIBLE JAZZ NOTES IN LINES OF INVISIBLE MAN | 第34-46页 |
| ·Environments and Images Marked by Jazz Notes | 第35-38页 |
| ·Acoustic Imitations of Jazz Performance | 第38-40页 |
| ·Visualized Jazz Performance | 第40-41页 |
| ·Blues and other Forms of Music Echoing with Jazz | 第41-46页 |
| CHAPTER Ⅳ INVISIBLE JAZZ NOTES BEHIND THE LINES | 第46-76页 |
| ·An Improvised Literary Text | 第46-50页 |
| ·Riffings in Invisible Man | 第50-64页 |
| ·Riffing on the Literary Antecedents | 第51-57页 |
| ·Self-Riffed Notes inside the Text | 第57-64页 |
| ·Self-riffed Symbolic Images and Plots | 第58-62页 |
| ·Self-riffed Lingual Patterns | 第62-64页 |
| ·Call-and-Response Strategy | 第64-71页 |
| ·Call-and-Response in Dialogues | 第65-68页 |
| ·Call-and-Response in the Non-Dialogue Scenes | 第68-69页 |
| ·Call-and-Response in the Double Voices of the Narrator | 第69-71页 |
| ·Polyrhythmic Features of the Novel | 第71-76页 |
| ·Polyrhythmic Characters and Their Languages | 第72-73页 |
| ·Polyrhythmic Themes | 第73-76页 |
| CONCLUSION | 第76-78页 |
| NOTES AND REFERENCES | 第78-84页 |
| BIBLIOGRAPHY | 第84-88页 |
| 中文参考文献 | 第88-90页 |
| ACKNOWLEDGEMENT | 第90-91页 |
| 研究生在读期间发表论文 | 第91页 |
