| Acknowledgements | 第1-4页 |
| Abstract in Chinese | 第4-5页 |
| Abstract in English | 第5-8页 |
| 1 Introduction | 第8-14页 |
| 2 Postmodernism as a counterpart of modernism | 第14-28页 |
| ·A comparison between modernism and postmodernism | 第14-21页 |
| ·Three major postmodernist features to be discussed | 第21-28页 |
| ·Indeterminacy | 第21-24页 |
| ·Multi-participation | 第24页 |
| ·Meta-fiction | 第24-28页 |
| 3 William Faulkner: a postmodernist as well as a modernist | 第28-40页 |
| ·The relations between the Southern Renaissance, modernism and postmodernism | 第28-32页 |
| ·William Faulkner: a postmodernist as well as a modernist | 第32-40页 |
| ·Factors leading to Faulkner's acceptance of the postmodernist ideas | 第32-37页 |
| ·Faulkner's experimentation with the postmodernist techniques | 第37-38页 |
| ·Faulkner's impact upon the postmodernist school | 第38-40页 |
| 4 Postmodernist features of The Sound and The Fury | 第40-60页 |
| ·Introduction to The Sound and The Fury | 第40-45页 |
| ·Postmodernist features in The Sound and The Fury | 第45-60页 |
| ·Indeterminacy in The Sound and The Fury | 第45-53页 |
| ·Disturbances in writing | 第46-48页 |
| ·Volatile imagination | 第48-52页 |
| ·Narration of the same matter in different perspectives | 第52-53页 |
| ·Multi-participation in The Sound and The Fury | 第53-58页 |
| ·The Sound and The Fury as a meta-fiction | 第58-60页 |
| 5 Conclusion | 第60-62页 |
| Bibliography | 第62-64页 |
