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边缘中心化:《花鼓歌》中“他者”的自我认同及身份建立

ABSTRACT第4-6页
摘要第7-11页
1. INTRODUCTION第11-14页
    1.1 A Brief Introduction to The Flower Drum Song and Writer C.Y. Lee第11-12页
    1.2 Research Orientation and Objectives第12页
    1.3 Thesis Structure第12-13页
    1.4 The Theoretical and Practical Significances of the Research第13-14页
2. LITERATURE REVIEW第14-17页
    2.1 The Status Quo of Related Research at Home and Abroad第14-16页
    2.2 The Innovations of the Research in This Thesis第16-17页
3. MANICHEAN BINARY OPPOSITION:THE SELF AND THE OTHER第17-26页
    3.1 Cultural Background: American Mainstream Ideology in the 1900s第17-21页
        3.1.1 Influence of 1882 Chinese Exclusion Act第18-21页
    3.2 The So-called "Assimilation" in the Major Characters第21-23页
        3.2.1 "Social assimilation" in Madame Tang and Wang San第21页
        3.2.2 "Spiritual assimilation" in Madame Tang and Wang Ta第21-22页
        3.2.3 The truth of the "assimilation" in Madame Tang and Wang Chi-yang's sons第22-23页
    3.3 The Reasons for Distortion and Depreciation toward the Other第23-26页
4. RE-CENTRALIZATION:SYMPATHETIC IDENTIFICATION AND IDENTITYCONSTRUCTION IN THE OTHER第26-59页
    4.1 Interpolation: Duality in the Marginalized Other第27-33页
        4.1.1 Sympathetic identification第28-30页
        4.1.2 Cultural difference and cultural diversity第30-31页
        4.1.3 Stability and variability第31-33页
    4.2 Personage and Nation: Identity Re-centralization in the Other第33-52页
        4.2.1 Symptomatic reading: the power of Agency in the major characters第34-39页
        4.2.2 Subversion in Wang Ta's employment attitude第39-41页
        4.2.3 Resistance in Wang Chi-yang's standpoint toward clothes and marriage第41-44页
        4.2.4 Mimicry: the change in Wang Chi-yang's concept of money第44-47页
        4.2.5 Hybirdity:coordination and communication among Wang Chi-yang and hissons第47-51页
        4.2.6 Win-win effects for the re-centralization第51-52页
    4.3 Cultural Mosaic: a Mix in the Self and the Other第52-59页
        4.3.1 Writing: a way for the Other to express resistance consciousness第54-56页
        4.3.2 Adoption of production: writing, printing, and publishing第56-57页
        4.3.3 Distortion and depreciation toward the Other from the Others themselves第57-59页
5. SIGNIFICANCES OF IDENTITY CONSTRUCTION IN RE-CENTRALIZATION第59-63页
    5.1 Awakening in the Major Characters第59-60页
    5.2 Subverting Colonial Discourse and Denying the Master Narrative第60-61页
    5.3 Deconstructing Colonial Power and Strengthening Dialogue between the Self andthe Other第61页
    5.4 Re-centralization: Reconstructing the Image of Chinese Americans第61-63页
6. CONCLUSION第63-65页
REFERENCES第65-67页
ACKNOWLEDGMENT第67-68页

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