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从历史编纂元小说角度探析《黑犬》

Acknowledgements第5-6页
Abstract第6-7页
摘要第8-11页
Introduction第11-17页
    1 An Introduction to Ian McEwan and His Works第11-12页
    2 Black Dogs and the Scholarship第12-16页
    3 Significance and Major Arguments of the Thesis第16-17页
Chapter 1 The Term of Historiographic Metafiction第17-26页
    1.1 The Definition of Historiographic Metafiction第17-18页
    1.2 Understanding Historiographic Metafiction from the Perspective of Etymology第18-21页
        1.2.1 Metafiction第18-19页
        1.2.2 Historiography第19-21页
    1.3 Specific Issues of Historiographic Metafiction第21-26页
        1.3.1 History and Fiction in Postmodern Discourse第21-22页
        1.3.2 The Nature of Identity and Subjectivity第22-24页
        1.3.3 The Question of Reference and Representation第24-26页
Chapter2 The Narrative Modes of Historiographic Metafiction in Black Dogs第26-44页
    2.1 Unreliable Multi-layered Narrative第26-34页
        2.1.1 Mise-en-abyme第26-30页
        2.1.2 Multiple Internal Focalizations第30-34页
    2.2 Intertextuality: Reference to the Past第34-44页
        2.2.1 Extratextuality: Reference to Historical Events and Literary Works第36-40页
        2.2.2. Intratextuality: Recurrence of Evil Things第40-44页
Chapter 3 Reflection on Historical Writing of Black Dogs as Historiographic Metafiction第44-57页
    3.1 Alternative Version of History before the Fall of Berlin Wall第46-51页
    3.2 Alternative Version of History of the Fall of Berlin Wall第51-57页
Chapter 4 Reflection on Ethical Choices of Black Dogs as Historiographic Metafiction第57-70页
    4.1 The Ethical Choices in the Relationship between Husband and Wife第58-65页
    4.2 The Ethical Choices in the Relationship between Parents and Children第65-70页
Conclusion第70-73页
Bibliography第73-76页

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