| Abstract | 第4-6页 |
| 摘要 | 第7-10页 |
| Chapter1 Introduction | 第10-20页 |
| 1.1 The Important Role of Morrison in the Development of Black Feminist Criticism | 第11-14页 |
| 1.2 Morrison’s Assertion of Black Identity against the White Beauty Myth | 第14-16页 |
| 1.3 An Overview of the Previous Studies on Morrison’s The Bluest Eye | 第16-18页 |
| 1.4 The Perspectives Adopted and the Issues Approached in This Thesis | 第18-20页 |
| Chapter2 The Crushed Black Women in White Society | 第20-38页 |
| 2.1 Maureen Peal —Light-skinned Follower of White Myth | 第20-22页 |
| 2.2 Geraldine —Sugar-brown Escaper from Blackness | 第22-24页 |
| 2.3 Pauline Breedlove —A Failure Mother of Black | 第24-30页 |
| 2.4 Pecola —Typical Dark-skinned Victim in Racist Society | 第30-38页 |
| Chapter3 The Resistant Black Women in White Society | 第38-52页 |
| 3.1 Southern Grandmothers —Attachment to Black Image | 第39-40页 |
| 3.2 The Three Whores —Outcasts of White Dominated Society | 第40-42页 |
| 3.3 Mrs. MacTeer —Poor but Successful Mother of Black | 第42-46页 |
| 3.4 Claudia —A Fighter to White Standard | 第46-52页 |
| Chapter4 Exploration of Morrison’s ways to Identify Black Women | 第52-62页 |
| 4.1 The Intention for the Allegory of Dick-and-Jane Primer | 第53-56页 |
| 4.2 Disintegration of Self Identity | 第56-59页 |
| 4.3 Interpretation of Self Identity | 第59-62页 |
| Chapter 5 Conclusion | 第62-65页 |
| Works Cited | 第65-70页 |
| Acknowledgements | 第70-71页 |
| 攻读学位期间发表的学术论文 | 第71页 |
