| ABSTRACT | 第1-6页 |
| 摘要 | 第6-8页 |
| ACKNOWLEDGEMENTS | 第8-9页 |
| TABLE OF CONTENTS | 第9-11页 |
| CHAPTER ONE INTRODUCTION | 第11-17页 |
| ·Rationale of the present study | 第11-12页 |
| ·Aim of the research | 第12-13页 |
| ·Research methodology | 第13-14页 |
| ·Structure of the thesis | 第14-17页 |
| CHAPTER TWO LITERATURE REVIEWS | 第17-26页 |
| ·An introduction to the author and the novel | 第17-22页 |
| ·The author Kurt Vonnegut | 第17-19页 |
| ·The novel Slaughterhouse-Five | 第19-21页 |
| ·The social background | 第21-22页 |
| ·The previous researches on Slaughterhouse-Five | 第22-25页 |
| ·The outcomes of the previous researches | 第22-24页 |
| ·The insufficiencies of the previous researches | 第24-25页 |
| ·Summary | 第25-26页 |
| CHAPTER THREE THEORETICAL FRAMEWORKS | 第26-35页 |
| ·Introduction of narratology | 第26-28页 |
| ·Gerard Genette's theory of narratology | 第28-31页 |
| ·Rimmon-Kenan's theory of narrator | 第31-34页 |
| ·Summary | 第34-35页 |
| CHAPTER FOUR DISORDERED NARRATIVE SEQUENCE | 第35-58页 |
| ·Traditional narrative sequence | 第35-38页 |
| ·Jumbled chronological sequence | 第38-48页 |
| ·The Tralfamadorian schizophrenic manner | 第39-40页 |
| ·Fragmental plot | 第40-41页 |
| ·Spatial linear-time | 第41-45页 |
| ·The unstuck Tralfamadorian concept of time | 第45-48页 |
| ·Circular narrative sequence | 第48-56页 |
| ·Circular nature of Slaughterhouse-Five | 第49-51页 |
| ·Kurt Vonnegut's Yon Yonson cycle | 第51-52页 |
| ·Billy's circular experiences | 第52-56页 |
| ·Summary | 第56-58页 |
| CHAPTER FIVE DOUBLE IDENTITIES OF THE NARRATOR | 第58-71页 |
| ·Kurt Vonnegut as the homodiegetic narrator witnessing the Dresden event | 第59-62页 |
| ·Attesting to the authenticity of the Dresden event | 第59-60页 |
| ·Fictionalizing the historical accounts | 第60-62页 |
| ·Kurt Vonnegut as the extradiegetic narrator narrating the Dresden event | 第62-69页 |
| ·Blurring the boundary between the fact and the fiction | 第62-64页 |
| ·Holding a distance from the Dresden event | 第64-67页 |
| ·Emphasizing the fatalism to accept the death | 第67-69页 |
| ·Summary | 第69-71页 |
| CHAPTER SIX THREE-PLY NARRATIVE LEVELS | 第71-85页 |
| ·Billy's world and the Tralfamadorian world | 第72-77页 |
| ·The creator and his imagination | 第72-75页 |
| ·The gospeler and the gospel consolation | 第75-77页 |
| ·Vonnegut's world and Billy's world | 第77-83页 |
| ·The traumatized prototype and his therapeutic alter ego | 第77-79页 |
| ·The fictionalized history and the historical fiction | 第79-81页 |
| ·Ambiguous belief and morality | 第81-83页 |
| ·Summary | 第83-85页 |
| CHAPTER SEVEN CONCLUSION | 第85-88页 |
| ·Findings of the thesis | 第85-86页 |
| ·Limitations of the present research | 第86-87页 |
| ·Suggestions for further studies | 第87-88页 |
| BIBLIOGRAPHY | 第88-91页 |
