| 摘要 | 第1-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第6-8页 |
| Introduction | 第8-20页 |
| A. Joseph Conrad, Typhoon and Heart of Darkness | 第8-12页 |
| B. Literature Review | 第12-16页 |
| C. Theoretical Basis | 第16-20页 |
| Chapter One Imaginaire Social: Chinese and Black Images in the 19thCentury England | 第20-33页 |
| A. Images of Chinese in the 19thCentury England | 第20-26页 |
| B. Images of blacks in the 19thCentury England | 第26-33页 |
| Chapter Two An Imagological Reading of Typhoon | 第33-48页 |
| A. The Dominance and Inferior: Captain Mac and Chinese coolies | 第33-36页 |
| B. The “Intimate” Understanding of the Combination: Captain Mac and Jukes | 第36-38页 |
| C. The “Tacit” Workmates: Jukes and Boatswain | 第38-43页 |
| D. The Workers from Different Levels: Jukes and Chinese coolies | 第43-48页 |
| Chapter Three An Imagological Reading of Heart of Darkness | 第48-63页 |
| A. The other Continent— Barbarous Africa | 第48-51页 |
| B. The Main Character: Marlow | 第51-55页 |
| C. The Images of Blacks | 第55-59页 |
| D. The Images of River Congo | 第59-63页 |
| Conclusion | 第63-66页 |
| Works Cited | 第66-67页 |
| Reference | 第67-68页 |
