| 摘要 | 第4-5页 |
| Abstract | 第5页 |
| Introduction | 第7-18页 |
| 1. A Critical Review of August Wilson and His Works | 第7-8页 |
| 2. Introduction to Fences | 第8-10页 |
| 3. Introduction to Seven Guitars | 第10页 |
| 4. Literature Review | 第10-18页 |
| Chapter One Construction of Black Masculinity in Fences | 第18-23页 |
| 1.1 Introduction to the Male Protagonist-Troy | 第18-19页 |
| 1.2 Troy's Ways to Construct Masculinity | 第19-23页 |
| 1.2.1 Verbal Expressions of Virility and Sexism | 第19-22页 |
| 1.2.2 Breaking through the Traditional Patriarchal Cultural Paradigm | 第22-23页 |
| Chapter Two Construction of Black Masculinity in Seven Guitars | 第23-43页 |
| 2.1 Historical Background of Writing Seven Guitars | 第23-25页 |
| 2.2 Introduction to the Male Protagonists-Floyd and Hedley | 第25-27页 |
| 2.3 Floyd and Hedley's Ways to Construct Masculinity | 第27-43页 |
| 2.3.1 Building Relationship with Females | 第27-31页 |
| 2.3.2 African American Verbal Tradition of Signifying | 第31-34页 |
| 2.3.3 Maintaining Independence | 第34-39页 |
| 2.3.4 The Restoration of Fatherhood | 第39-41页 |
| 2.3.5 Identifying with the Black Culture | 第41-43页 |
| Chapter Three Masculinity Transformation | 第43-46页 |
| 3.1 Breaking the Traditional White Masculinity Stereotyping | 第43-44页 |
| 3.2 Constructing the Afrocentric Models of Masculinity | 第44-46页 |
| Conclusion | 第46-49页 |
| Bibliography | 第49-53页 |
| Acknowledgements | 第53页 |
