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论《了不起的盖茨比》的音乐性

Acknowledgements第5-6页
摘要第6-7页
Abstract第7页
1. Introduction第10-18页
    1.1 General Research Background第10-11页
    1.2 Literature Review第11-16页
    1.3 Research Structure第16-18页
2. Commonality Between Music and Literature第18-26页
    2.1 Commonality in Form第19-22页
        2.1.1 Commonality in Time第19-20页
        2.1.2 Commonality in Language第20-21页
        2.1.3 Commonality in Rhythm第21-22页
    2.2 Commonality in Emotional Significance第22-26页
        2.2.1 Commonality in the Lucidity of Emotional Significance第23-24页
        2.2.2. Commonality in the Polysemy of Emotional Significance第24-26页
3. Musical Qualities in The Great Gatsby第26-39页
    3.1 Polyphony and Its Presentation第27-32页
        3.1.1 Concept of Polyphony by Bakhtin第27-29页
        3.1.2 Presentation of Polyphonic Voices第29-32页
    3.2 Ternary Form and Its Presentation第32-34页
        3.2.1 Ternary Form第32-33页
        3.2.2 Presentation of Ternary Form第33-34页
    3.3 Jazz Improvisation and Its Presentation第34-37页
        3.3.1 Relation between Jazz Improvisation and Literary Style第34-35页
        3.3.2 Representation of Jazz Improvisation第35-37页
    3.4 Jazz for Mood and Atmosphere and Its Presentation第37-39页
4. Musical Significance of The Great Gatsby第39-48页
    4.1 Msuic and Text第39-44页
        4.1.1 Music Creates Different Situations第40-42页
        4.1.2 Music Helps Readers Understand Characters第42-43页
        4.1.3 Music Creates a Sense of Space in Narrative Time第43-44页
    4.2 Music and Readers第44-48页
        4.2.1 Relating Physical and Psychological World第44-45页
        4.2.2 Readers' Expectation and Reflection第45-48页
5. Conclusion第48-50页
References第50-52页

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