| Acknowledgement | 第1-4页 |
| English Abstract | 第4-6页 |
| Chinese Abstract | 第6-10页 |
| Introduction | 第10-18页 |
| 1. An Introduction of the Author | 第10-12页 |
| 2. An Introduction of the Novel | 第12-14页 |
| ·The Novel and Its Significance | 第12-13页 |
| ·The Novel in Light of Its Genre ——Science Fiction | 第13-14页 |
| 3. Possibilities for Deconstruction of the Novel | 第14-18页 |
| ·Critical Review on the Novel | 第14-15页 |
| ·Potentials for a Deconstructive Approach | 第15-18页 |
| Chapter One Paradoxes: Deconstruction of the Center | 第18-33页 |
| 1. The Centrifugal Force vs The Centripetal Force | 第20-22页 |
| 2. Precision of Language vs Expansion of Meaning | 第22-24页 |
| 3. No Mistakes vs Miscellaneous Mistakes | 第24-25页 |
| 4. Situation of Receiver of Memory vs Situation of Common Citizens | 第25-33页 |
| ·The Memory World vs The Sameness World | 第26-29页 |
| ·A Life of Interaction vs A Life of Passivity | 第29-30页 |
| ·Rules for Receiver of Memory vs Rules for Common Citizens | 第30-33页 |
| Chapter Two Space: Opening Up the Text | 第33-40页 |
| 1. Multiple Meanings Embedded in Release | 第33-37页 |
| ·Release as Negative | 第34页 |
| ·Release as Positive | 第34-35页 |
| ·Release as Choice | 第35页 |
| ·Release as Murder | 第35-36页 |
| ·Release as Escape | 第36-37页 |
| 2. Unraveling the Escape | 第37-40页 |
| Chapter Three Plot: Deconstruction of “Hegemony” | 第40-47页 |
| 1. Deconstruction of Male Egocentrism | 第41-43页 |
| 2. Deconstruction of Cultural Centrism | 第43-47页 |
| Conclusion | 第47-50页 |
| Bibliography | 第50-51页 |
