| Abstract | 第1-8页 |
| 摘要 | 第8-10页 |
| Introduction | 第10-15页 |
| Chapter One The Polyphonic Novel Defined by Bakhtin | 第15-25页 |
| ·Characteristics of the Polyphonic Novel | 第15-22页 |
| ·Dialogical Principle: Equal Footing Between the Heroes and the Author | 第16-17页 |
| ·Great Dialogue | 第17-19页 |
| ·Microdialogue | 第19-22页 |
| ·Historical and Cultural Background of the Polyphonic Novel | 第22-25页 |
| Chapter Two Equal Footing and Great Dialogue in Absalom, Absalom! | 第25-43页 |
| ·Character-narrators' Consciousnesses Independent of the Author's | 第25-26页 |
| ·Great Dialogue Between the Narrators | 第26-43页 |
| ·Rosa's Voice | 第27-30页 |
| ·Mr. Compson's Voice | 第30-35页 |
| ·Quentin and Shreve's Voices | 第35-43页 |
| Chapter Three Microdialogue and Reader-narrator Dialogue in Absalom, Absalom! | 第43-50页 |
| ·Microdialogue Within Each Narrator | 第43-46页 |
| ·Voices Within Rosa | 第44-45页 |
| ·Voices Within Quentin | 第45-46页 |
| ·Dialogues Between the Narrators and the Reader | 第46-50页 |
| Chapter Four Background and Significance of the Polyphonic Absalom, Absalom! | 第50-58页 |
| ·Historical and Cultural Background of Absalom, Absalom! | 第50-55页 |
| ·Significance and Influence of the Polyphonic Absalom, Absalom! | 第55-58页 |
| Conclusion | 第58-60页 |
| Notes | 第60-65页 |
| Bibliography | 第65-68页 |
| Acknowledgements | 第68-69页 |
| Publication | 第69-70页 |
| 学位论文评阅及答辩情况表 | 第70页 |
