| 摘要 | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 1. Introduction | 第10-20页 |
| 1.1 Tennessee Williams and His Plays | 第10-13页 |
| 1.2 Literature Review | 第13-18页 |
| 1.2.1 Biography Study | 第14页 |
| 1.2.2 Homosexuality Study | 第14-16页 |
| 1.2.3 Feminism Study | 第16-17页 |
| 1.2.4 Literature, Drama and Culture Study | 第17-18页 |
| 1.3 Method of Application | 第18-20页 |
| 2. Orpheus Descending: Multiple Salvation of Idealized Spiritual Space | 第20-31页 |
| 2.1 The Infernal Southern Town | 第20-22页 |
| 2.2 A “Gospel” from Exotic Spaces | 第22-29页 |
| 2.2.1 The Interloper of Forbidden Area: Orpheus | 第22-24页 |
| 2.2.2 The Redeemer of Human Beings: Christ | 第24-27页 |
| 2.2.3 The Conciliator of Jocundity and Tragedy: Dionysus | 第27-29页 |
| 2.3 Val’s Death: The Disillusion of Rebuilding “Paradise Regained” | 第29-31页 |
| 3. Suddenly Last Summer: The Salvation of Cruel God | 第31-43页 |
| 3.1 The Modernistic Scenes of Repetitively Model Intertexture | 第31-35页 |
| 3.1.1 The Carnivorous Garden | 第32-33页 |
| 3.1.2 The Cannibalistic Islands | 第33-35页 |
| 3.2 The Special Deal Manipulated by Economic Laws | 第35-40页 |
| 3.2.1 Violet Venable’s Bribing | 第35-38页 |
| 3.2.2 The Carnal Seduce | 第38-40页 |
| 3.3 Sebastian’s Anthropophagous Tragedy in the Beach: The Reappearance of Gothic Scenes: Holy Communion | 第40-43页 |
| 4. The Night of the Iguana: Modernistic Salvation of All-loving Concept of God | 第43-53页 |
| 4.1 The Costa Verde Hotel far from the Madding Crowd | 第43-46页 |
| 4.2 The Discipline of Mainstream Society Space | 第46-50页 |
| 4.2.1 Shannon Depressed by Puritan Culture | 第46-49页 |
| 4.2.2 The Trained Iguana | 第49-50页 |
| 4.3 Out of the Dilemma: The Finality of Salvation | 第50-53页 |
| 5. Conclusion | 第53-55页 |
| Acknowledgement | 第55-56页 |
| References | 第56-60页 |
| Appendix | 第60页 |
