| 西北师范大学研究生学位论文作者信息 | 第1-8页 |
| Abstract | 第8-10页 |
| 摘要 | 第10-12页 |
| Chapter One Introduction | 第12-17页 |
| ·Ishmael Reed's Life and His Works | 第12-14页 |
| ·A Brief Introduction to Flight to Canada | 第14-15页 |
| ·Purpose and Significance of the Study | 第15-16页 |
| ·Layout of the Study | 第16-17页 |
| Chapter Two Literature Review | 第17-20页 |
| ·Studies Abroad | 第17页 |
| ·Studies at Home | 第17-20页 |
| Chapter Three Introduction to Parody | 第20-26页 |
| ·Theories on Parody | 第20-26页 |
| ·Genette's Parody Theory | 第20-22页 |
| ·Simon Dentith's Research on Parody | 第22页 |
| ·Linda Hutcheon's Postmodern Parody | 第22-23页 |
| ·Other Researches on Parody | 第23-26页 |
| Chapter Four Parody in Flight to Canada | 第26-58页 |
| ·Classic Slave Narrative and Ishmael Reed's Rewriting | 第26-29页 |
| ·What is Slave Narrative | 第26-28页 |
| ·Ishmael Reed Rewrites Slave Narratives by Parodies | 第28-29页 |
| ·Parodying the Form of Traditional Slave Narrative | 第29-36页 |
| ·Parodying by Employing Different Literary Forms and Narrative Voices | 第29-31页 |
| ·Reworking the Plots | 第31-36页 |
| ·Parodying the Content of Traditional Slave Narrative | 第36-52页 |
| ·Parodying the Intention of Uncle Tom's Cabin | 第37-40页 |
| ·Revisiting History | 第40-46页 |
| ·Parodying Historical Events and Figure | 第41-45页 |
| ·Anachronism | 第45-46页 |
| ·Parodying Harriet Beecher Stowe as a “Thief” | 第46-52页 |
| ·The Effects of Parodying | 第52-58页 |
| ·The Ambiguity of “Flight” | 第52-54页 |
| ·The Ambiguity of “Freedom” | 第54-58页 |
| Chapter Five Conclusion | 第58-60页 |
| Bibliography | 第60-63页 |
| Acknowledgements | 第63页 |
