| Acknowledgements | 第1-5页 |
| Abstract (English) | 第5-7页 |
| Abstract (Chinese) | 第7-11页 |
| Chapter One Introduction | 第11-18页 |
| ·Donald Barthelme—Pioneer of Postmodernism | 第11-13页 |
| ·Snow White—Masterpiece of Barthelme | 第13-14页 |
| ·Literature Review | 第14-18页 |
| Chapter Two Tide of Deconstructionism | 第18-24页 |
| ·Origination and Development of Deconstructionism | 第18-21页 |
| ·Literary Application of Deconstructionism | 第21-24页 |
| Chapter Three Deconstructive Tendency—Birthmark of Snow White | 第24-50页 |
| ·Innovative Writing Devices Used in Snow White | 第25-34页 |
| ·Collage—“central principle of all art in the 20~(th) century” | 第27-31页 |
| ·Multiple points of view | 第31-34页 |
| ·Experimental Stylistic Strategies in Snow White | 第34-42页 |
| ·Innovation, triviality and list of words—subversion of traditional writing conventions | 第37-40页 |
| ·Trustless language—self-referential quality of language | 第40-42页 |
| ·Intertextual Characters in Snow White—Betrayers of Their Archetypes | 第42-50页 |
| ·Snow White—princess figure | 第44-46页 |
| ·Paul—prince figure | 第46-50页 |
| Chapter Four Reconstructive Tendency—Hidden Meaning in Snow White | 第50-69页 |
| ·Author’s Reconstruction of Writing and Language | 第52-57页 |
| ·Readers’Reconstruction of Postmodernist Ethics | 第57-66页 |
| ·Dissimilation caused by recession of religious belief | 第62-63页 |
| ·Decay and loss of ideal | 第63-64页 |
| ·Decay and lost of consciousness | 第64-65页 |
| ·Decay and lost of socialization | 第65-66页 |
| ·Characters’ Reconstruction of Their Identities | 第66-69页 |
| Chapter Five Conclusion | 第69-72页 |
| Bibliography | 第72-77页 |
| Publications | 第77页 |
