| ABSTRACT | 第1-5页 |
| 中文摘要 | 第5-6页 |
| ACKNOWLEDGEMENTS | 第6-8页 |
| CHAPTER ONE INTRODUCTION | 第8-19页 |
| ·An Overall Comment: Feminist Reading on American War Fictions | 第8-12页 |
| ·Significance of Examining American War Fictions | 第8-10页 |
| ·Brief Introduction to Feminist Literary Criticism | 第10-12页 |
| ·Brief Review of Ernest Hemingway and Norman Mailer | 第12-16页 |
| ·Brief Review of Feminist Reading on A Farewell to Arms and The Naked and the Dead | 第16-18页 |
| ·Aims of the Study | 第18-19页 |
| CHAPTER TWO DIFFERENCES IN THE “PRESENCE”AND “ABSENCE”OF WOMAN IMAGES | 第19-27页 |
| ·Differences in Plot | 第20-22页 |
| ·Love Story vs. Realistic Documentary | 第20-21页 |
| ·Woman Warriors vs. Home Fronts | 第21-22页 |
| ·Differences in Action | 第22-24页 |
| ·Differences in Speech | 第24-27页 |
| CHAPTER THREE SIMILARITIES IN CHARACTERIZATION OF FEMALE AS THE OTHER | 第27-62页 |
| ·Compliant Woman as Mary | 第28-45页 |
| ·Catherine Barkley––Lost Angel in Love | 第28-38页 |
| ·Mary––A Pure Religious Woman | 第38-42页 |
| ·Natalie––A Wise Helper | 第42-45页 |
| ·Evil Woman as Eve | 第45-57页 |
| ·Construction of Female Identity | 第46-53页 |
| ·Silence in Male World | 第53-57页 |
| ·Beautiful Woman as Pandora | 第57-62页 |
| CHAPTER FOUR ANALYSIS ON THE HISTORICAL WRITING BACKGROUND OF WAR AND REFLECTION OF READING STRATEGY | 第62-69页 |
| ·The Historical Writing Background of War | 第62-65页 |
| ·Reflection of Feminist Reading on War Fictions | 第65-69页 |
| CHAPTER FIVE CONCLUSION | 第69-71页 |
| BIBLIOGRAPHY | 第71-73页 |
