| 摘要 | 第4-5页 |
| abstract | 第5-6页 |
| Acknowledgements | 第7-9页 |
| Introduction | 第9-21页 |
| Ⅰ. Samuel Beckett and His Middle Period Plays | 第9-11页 |
| Ⅱ. Literature Review | 第11-16页 |
| Ⅲ. Theoretical Construction and Reconstruction of Irishness | 第16-21页 |
| Chapter One Tracing Irishness in Settings | 第21-30页 |
| 1.1. Outlining Irish Setting in the Plays | 第21-26页 |
| 1.2. Dramatizing the Irish Landscape | 第26-30页 |
| Chapter Two Faithfully Representing Irishness in Characterization | 第30-42页 |
| 2.1.The Spiritually Perplexed Irish | 第31-35页 |
| 2.2. The Disabled Irish | 第35-38页 |
| 2.3. The Dialect | 第38-42页 |
| Chapter Three Historicizing Irishness | 第42-57页 |
| 3.1. Remembering the Traumatic National Memory | 第43-46页 |
| 3.2. Dramatizing the Memory of the Irish Nation | 第46-51页 |
| 3.3. Historicizing Relationships Between Characters | 第51-57页 |
| Conclusion | 第57-59页 |
| Works Cited | 第59-60页 |
