| 摘要 | 第6-8页 |
| Abstract | 第8-9页 |
| Ⅰ. Introduction | 第11-16页 |
| A. A General Introduction to MASH and the Film Adaptation | 第11-13页 |
| B. Literature Review | 第13-15页 |
| C. The Purpose,Significance and Methodology | 第15-16页 |
| Ⅱ. Richard Hooker's MASH as a Black Humor Novel | 第16-24页 |
| A. Broken Plots | 第17-19页 |
| B. Anti-heroes | 第19-21页 |
| C. Parody | 第21-22页 |
| D. Symbols | 第22-24页 |
| Ⅲ. Robert Altman's MASH as a "New Hollywood" Film | 第24-26页 |
| A. Nonlinear Narrative Structure | 第24-25页 |
| B. The Juxtaposition of Reality and Absurdity | 第25-26页 |
| Ⅳ. The Similarities and Differences between the Novel and the Film | 第26-37页 |
| A. The Similarities between the Novel and the Film | 第26-30页 |
| 1. The Style of Black Humor | 第26-27页 |
| 2. The Theme of Anti-war | 第27-29页 |
| 3. The Theme of Anti- authority | 第29-30页 |
| B. The Differences between the Novel and the Film | 第30-37页 |
| 1. The Modeling of Characters | 第30-32页 |
| 2. The Constructing of Plots | 第32-36页 |
| 3. The Weakening of Religious Satire | 第36-37页 |
| Ⅴ. The Interfunctional Relationship among the Novel,Film and Readers | 第37-45页 |
| A. The Novel's Influence on the Film | 第38-41页 |
| 1. Providing the Adaptable Elements for the Film | 第38-40页 |
| 2. Increasing the Literariness for the Film | 第40-41页 |
| B. The Film's Reactional Influence on the Novel | 第41-45页 |
| 1. Replenishing the Connotative Meaning of the Novel | 第41-43页 |
| 2. Strengthening the Anti-war Theme of the Novel | 第43-45页 |
| Ⅵ. Conclusion | 第45-47页 |
| Bibliography | 第47-50页 |
| Acknowledgements | 第50页 |
