| ABSTRACT | 第1-5页 |
| 摘要 | 第5-6页 |
| ACKNOWLEDGEMENTS | 第6-9页 |
| CHAPTER Ⅰ INTRODUCTION | 第9-14页 |
| A.A brief introduction of Byatt and her two novels | 第9-11页 |
| B.Byatt's three main narrative techniques | 第11页 |
| C.Literature review | 第11-13页 |
| D.Thesis statement | 第13-14页 |
| CHAPTER Ⅱ FRENCH POSTMODERN FEMINIST LITERARY THEORY | 第14-19页 |
| A.Conception of women's time | 第15-16页 |
| B.Women's self-representation | 第16-18页 |
| C.Feminine writing | 第18-19页 |
| CHAPTER Ⅲ RETRACEMENT OF TRADITIONAL FEMALE IMAGES | 第19-34页 |
| A.The recurrence of color images:"green" and "white" | 第19-23页 |
| B.The cyclical enclosure images | 第23-28页 |
| C.Other female images:"water", "virgin", and "dream" | 第28-34页 |
| CHAPTER Ⅳ FEMINIST CONNOTATION OF THE PARODY OF THE OLD MYTHS ANDFAIRY TALES | 第34-48页 |
| A.Parody of the myth "Melusine" | 第34-38页 |
| B.Parody of the myth "The Judgment of Paris" in "The Threshold" | 第38-40页 |
| C.Parody of the fairy tale "Snow White" in "The Glass Coffin" | 第40-44页 |
| D.Parody of the myth "Astraea" | 第44-46页 |
| E.Parody of "The Garden of Eden" | 第46-48页 |
| CHAPTER Ⅴ MULTIPLI CITY OF FEMALE NARRATIVE PERSPECTIVES ANDNONLINEARITY OF FEMININE NARRATION | 第48-65页 |
| A.Multiplicity of female narrative perspectives in Possession | 第48-58页 |
| B.Nonlinearity of feminine narration | 第58-65页 |
| CHAPTER Ⅵ CONCLUSION | 第65-68页 |
| WORKS CITED | 第68-71页 |
