| Acknowledgements | 第4-5页 |
| 中文摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| 1. Introduction | 第10-22页 |
| 1.1 Zakes Mda and his works | 第10-13页 |
| 1.2 Literature review | 第13-18页 |
| 1.2.1 Studies on Zakes Mda's work abroad | 第13-16页 |
| 1.2.2 Studies on Zakes Mda's work at home | 第16-18页 |
| 1.3 Theoretical frameworks | 第18-22页 |
| 2. Resistance and integration presented in hybridized political context | 第22-36页 |
| 2.1 Deconstruction of colonial binary opposition in colonial wars | 第22-27页 |
| 2.1.1 The construction of colonial subject | 第23-25页 |
| 2.1.2 The dialogue between the colonizer and the colonized | 第25-27页 |
| 2.2 The construction of politic pattern after independence | 第27-36页 |
| 2.2.1 The challenges faced by the black government | 第27-31页 |
| 2.2.2 Strong penetration from the white | 第31-36页 |
| 3. Ambivalence and rewrite presented in hybridized religious context | 第36-50页 |
| 3.1 The transported Christianity in South Africa | 第36-42页 |
| 3.1.1 The awkward situation of Christianity | 第36-39页 |
| 3.1.2 The rewrite of Christianity | 第39-42页 |
| 3.2 The inherited native faith of South Africa | 第42-50页 |
| 3.2.1 The criticizing to the traditional superstition | 第42-45页 |
| 3.2.2 The traditional colors as spiritual sustenance | 第45-50页 |
| 4. Exploration presented in hybridized identities | 第50-62页 |
| 4.1 Camagu: an intellectual's utopian exploration | 第50-52页 |
| 4.2 Radisene: a businessman's materialistic exploration | 第52-55页 |
| 4.3 Dikosha and Qukezwa: the traditional icons' rejuvenated power | 第55-62页 |
| 4.3.1 Dikosha: subversion through silence | 第55-58页 |
| 4.3.2 Qukezwa: a traditional supporter VS a rebellious doer | 第58-62页 |
| 5. Conclusion | 第62-64页 |
| Works Cited | 第64-67页 |
