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怀德曼“霍姆伍德三部曲”中“沉默”的运用

Acknowledgements第5-6页
摘要第6-7页
Abstract第7页
Contents第8-10页
Introduction第10-20页
    1 Background第10-12页
    2 Literature review第12-18页
    3 Outline第18-20页
Chapter 1 Silence as Resistance to Oppression and Repression第20-29页
    1.1 Resistance against oppression: opposing imposed identity第20-23页
    1.2 Resistance against repression: an anti-language versus dominant discourse第23-29页
Chapter 2 Silence as a Rhetoric Device in Fictions第29-50页
    2.1 Silence as a metaphoric device in naming第33-38页
    2.2 Silence as a structural device in blues writings第38-50页
        2.2.1 Music and Afro-American culture第38-40页
        2.2.2 Blues and Afro-American literary writings第40-50页
            2.2.2.1 Blues in "Homewood trilogy"第41-45页
            2.2.2.2 Silence in "Homewood trilogy"第45-50页
Chapter 3 Silence as a Medium to Reach Self and God第50-66页
    3.1 Silence: apathto self and soul第50-60页
        3.1.1 Solitude and silence: a state of examining self第51-56页
        3.1.2 Silence: a shield against lies第56-60页
            3.1.2.1 Silence to shelter the cherished第57-59页
            3.1.2.2 Silence to pass over the unspeakable第59-60页
    3.2 Silence: a medium to God第60-66页
        3.2.1 Word and God第61-62页
        3.2.2 Silence and God第62-66页
            3.2.2.1 The silence of Orion第62-64页
            3.2.2.2 The silence of Freeda第64-66页
Conclusion第66-70页
    1 Summary第66-68页
    2 Limitation第68-69页
    3 Outlook第69-70页
References第70-74页

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