| Acknowledgements | 第1-5页 |
| Abstract | 第5-7页 |
| 中文摘要 | 第7-9页 |
| Introduction | 第9-15页 |
| Chapter 1 The Parodic Plots: A Challenge to the Jungian Individuation Process | 第15-30页 |
| ·The Encounter with the Negative Anima | 第16-19页 |
| ·The Return to and the Retreat from the Great Mother | 第19-22页 |
| ·The Confrontation with the Shadow | 第22-25页 |
| ·The Sacred Marriage with the Positive Anima | 第25-30页 |
| Chapter 2 The Parodic Motifs: ‘Putting New Winein Old Bottles | 第30-41页 |
| ·Parody of the Biblical Motifs of Genesis and Rebirth | 第31-34页 |
| ·Parody of the Greek Mythological Motifs of Gods and Heroes | 第34-41页 |
| Chapter 3 The Parodic Characters: Subversion of the Jungian Archetypal | 第41-56页 |
| ·Leilah: Woman as Victim | 第42-46页 |
| ·Mother: Woman as Dominatrix | 第46-51页 |
| ·Tristessa: Gender as Performance | 第51-56页 |
| Conclusion | 第56-59页 |
| Bibliography | 第59-63页 |
