| ABSTRACT | 第1-6页 |
| 中文摘要 | 第6-7页 |
| ACKNOWLEDGEMENTS | 第7-10页 |
| CHAPTER 1 INTRODUCTION | 第10-16页 |
| ·John Irving and the Plot Summary of The Cider House Rules | 第10-12页 |
| ·Study Background | 第12-14页 |
| ·Methodology | 第14-15页 |
| ·Organization of the Thesis | 第15-16页 |
| CHAPTER 2 THE CONCEPT AND CLASSIFICATION OF FOCALIZATION INTHE NOVEL | 第16-24页 |
| ·The Concept of Focalization in the Novel | 第16-20页 |
| ·The Classification of Focalization in the Novel | 第20-24页 |
| CHAPTER 3 REPRESENTATION OF FOCALIZATION IN THE CIDER HOUSERULES | 第24-34页 |
| ·Zero Focalization | 第24-27页 |
| ·External Focalization | 第27-30页 |
| ·Internal Focalization | 第30-34页 |
| CHAPTER 4 THE CONCEPT AND CLASSIFICATION OF FOCALIZATION INTHE FILM | 第34-38页 |
| ·The Concept of Focalization in the Film | 第34-35页 |
| ·The Classification of Focalization in the Film | 第35-38页 |
| CHAPTER 5 REPRESENTATION AND DEVELOPMENT OF FOCALIZATION INTHE FILM THE CIDER HOUSE RULES | 第38-48页 |
| ·Ocularation | 第38-41页 |
| ·Auscultation | 第41-44页 |
| ·The Development of Narrative Focalization Theory in the Film Version | 第44-48页 |
| CHAPTER 6 CONCLUSION | 第48-51页 |
| WORKS CITED | 第51-53页 |
| RESEARCH ACHIEVEMENTS | 第53-54页 |
| PERSONAL INFORMATION | 第54-56页 |
