| 摘要 | 第1-4页 |
| ABSTRACT | 第4-9页 |
| INTRODOCTION | 第9-11页 |
| CHAPTER ONE NARRATOLOGY AND DRAMA | 第11-24页 |
| ·DRAMATURGY AND NARRATOLOGY | 第11-18页 |
| ·NARRATOLOGY,NARRATIVE,NARRATIVE TEXT AND NARRATIVE ASPECTS | 第11-13页 |
| ·DRAMA AND ITS NARRATIVE ASPECTS | 第13-14页 |
| ·NARRATIVE ASPECTS IN DRAMATIC TEXTS | 第14页 |
| ·MEDITATING SYSTEMS IN DRAMATIC TEXTS AND NARRATIVE TEXTS | 第14-17页 |
| ·DRAMATIC DIALOGUES AND NARRATIVE DIALOGUES | 第17-18页 |
| ·NARRATIVIZATIONAL TENDENCY IN DRAMAS | 第18-24页 |
| ·EPIC TENDENCY IN DRAMAS | 第18-20页 |
| ·EPIC TENDENCY IN O'NEILL'S WORKS | 第20-24页 |
| CHAPTER TWO THE THEATRE OF LIFE | 第24-38页 |
| ·REALISM IN THEATRE | 第24-27页 |
| ·IBSEN AND THE REALISM TREND | 第25-27页 |
| ·O'NEILL'S EARLY PLAYS | 第27-33页 |
| ·BOUNDEAST FOR CARDIFF AND ITS NARRATIVE CHARACTERISTICS | 第28-32页 |
| ·THE LIMITATIONS OF BOUNDEAST FOR CARDIFF | 第32-33页 |
| ·BEFORE BREAKFAST AND ITS NARRATIVE STRATEGIES | 第33-38页 |
| CHAPTER THREE THE THEATRE OF SOULS | 第38-50页 |
| ·ON-STAGE STORIES AND OFF-STAGE STORIES | 第39-40页 |
| ·O'NEILL AND FREUDIANISM | 第40-42页 |
| ·STRANGE INTERLUDE;THE EXTERN ALIZATION OF SPEECHES OF THOUGHT | 第42-44页 |
| ·ASIDES | 第43-44页 |
| ·THE MATERIALIZATION OF THE CONSCIOUS | 第44-50页 |
| ·EXPRESSIONISM IN DRAMAS | 第45-46页 |
| ·EXPRESSIONISM IN THE NARRATIVITY OF THE EMPEROR JONES | 第46-50页 |
| CHAPTER FOUR THE THEATRE OF SELF | 第50-68页 |
| ·O'NEILL PLAYS AND THE IMITATION OF MENTAL PROCESS | 第51-52页 |
| ·THE NARRATIVE CHARACTERISTIC OF LONG DAY'S JOURNEY INTO NIGHT | 第52-53页 |
| ·AUTOBIOGRAPHICAL NARRATIVE | 第53-56页 |
| ·O'NEILL'S LIFE AND THE PLAY | 第54-55页 |
| ·DISCREPANCY BETWEEN THE REAL A UTHOR AND THE IMPLIED AUTHOR | 第55-56页 |
| ·NARRATIVE STRATEGIES OF LONG DAY'S JOURNEY INTO NIGHT | 第56-68页 |
| ·THE UNRELIABLE NARRATIVE;MARY'S DENIES | 第57-59页 |
| ·ITERATIVE NARRATIVE OF THE PAST | 第59-60页 |
| ·DECENTRALIZATION;SHIFTING FOCALIZATION | 第60-61页 |
| ·UNRELIABLE REPETITION | 第61-68页 |
| CHAPTER FIVE TOWARDS THE NARRATIVE OF THE ABSURD | 第68-85页 |
| ·O'NEILL AND THE THEATRE OF ABSURD | 第68-70页 |
| ·THE DEADLOCK OF THE DENTIZENS AT HARRY HOPE'S SALOON | 第70-74页 |
| ·UNDERSTANDING THE PLAY | 第72-73页 |
| ·WAITING FOR HICKEY VS WAITING FOR GODOT. | 第73-74页 |
| ·SYMPHONIC NARRATIVE STRATEGIES | 第74-78页 |
| ·SUSPENSION;HICKEY'S METAMORPHOSIS | 第75-76页 |
| ·HICKEY;THE SAVIOR? | 第76-78页 |
| ·HUGHIE | 第78-85页 |
| ·THE DREADFUL SILENCE | 第79-80页 |
| ·DEGRADATION OF LANGUAGE | 第80-85页 |
| CONCLUSION | 第85-88页 |
| BIBLIOGRAPHY | 第88-91页 |
| 作者在读期间科研成果简介 | 第91-93页 |
| ACKNOWLEDGEMENTS | 第93页 |
