| 摘要 | 第4-5页 |
| abstract | 第5页 |
| Acknowledgements | 第6-9页 |
| Introduction | 第9-18页 |
| Theoretical Foundation | 第9-12页 |
| Literature Review | 第12-16页 |
| Significance of the Research | 第16-17页 |
| Layout of the Thesis | 第17-18页 |
| Chapter One Sexual Fetishism in the Show | 第18-37页 |
| 1.1 Models as Observed Objects | 第19-23页 |
| 1.1.1 Models’ Bodies and Sexual Instinct | 第19-22页 |
| 1.1.2 Models’ Gestures and Pathological Fetishism | 第22-23页 |
| 1.2 Underwear as Fetishistic Desire | 第23-29页 |
| 1.2.1 Audiences’ Castration and Scopophilia | 第23-25页 |
| 1.2.2 Decorations and Sexual Satisfaction | 第25-29页 |
| 1.3 Wings as Sexual Meanings | 第29-37页 |
| 1.3.1 Animism and Sexual Fetish on Wings | 第29-31页 |
| 1.3.2 Totemism and the “Coat” of Sexual Meanings | 第31-37页 |
| Chapter Two Commodity Fetishism in the Show | 第37-58页 |
| 2.1 Stage and Lights as Ritualized Scenes | 第39-44页 |
| 2.1.1 Stage and Ceremonial Sense | 第39-43页 |
| 2.1.2 Lights and Mysterious Aura | 第43-44页 |
| 2.2 Brassiere with Gold and Gems as Exchange Value | 第44-50页 |
| 2.2.1 Fantasy Bra and Exchange Value | 第44-48页 |
| 2.2.2 High Prices and Capital Fetishism | 第48-50页 |
| 2.3 Singers as Powerful Mystique | 第50-58页 |
| 2.3.1 Celebrities’ Mystique and Contagious Magic | 第50-53页 |
| 2.3.2 Singers’ Auras and Process of Empowerment | 第53-58页 |
| Chapter Three Signifier Fetishism in the Show | 第58-85页 |
| 3.1 Fetishism on Metaphors in the Show | 第60-66页 |
| 3.1.1 Background Aside and Metaphors of A formal sense | 第60-63页 |
| 3.1.2 Models and Metaphors of Dreams | 第63-66页 |
| 3.2 Fetishism on Themes in the Show | 第66-71页 |
| 3.2.1 Classified Themes and Differences | 第66-69页 |
| 3.2.2 “Same” Brassiere and Meaningless Signifiers | 第69-71页 |
| 3.3 Fetishism on the Brand Effect in the Show | 第71-78页 |
| 3.3.1 Brand Effect and Baudrillard’s “Four Orders” | 第71-75页 |
| 3.3.2 Meaningless Consuming Behaviors and Symbolic Exchange | 第75-78页 |
| Conclusion | 第78-81页 |
| Works Cited | 第81-85页 |
