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《法国中尉的女人》的后现代主义元小说特征

摘要第8-10页
Abstract第10-11页
1 Introduction第12-21页
    1.1 A Brief Introduction to John Fowles and His Works第12-14页
        1.1.1 A Brief Introduction to John Fowles第12-13页
        1.1.2 A Biref Introduction to The French Lieutenant's Woman第13-14页
    1.2 Basic Characteristics of Postmodern Literature第14-17页
        1.2.1 The Development of Postmodern Literature第14-16页
        1.2.2 Characteristics of Postmodern Literature第16-17页
    1.3 Literature Review第17-21页
        1.3.1 Literature Review at Home on Postmodenity and Meta-fiction第17-18页
        1.3.2 Literature Review abroad on Postmodenity and Meta-fiction第18-21页
2 Writing Styles and Postmodernity on Meta-fiction第21-33页
    2.1 The Definition of Meta-fiction第21-23页
        2.1.1 Special Features of Meta-fiction第22-23页
        2.1.2 Criteria of Meta-ifction第23页
    2.2 Writing Styles on Meta-ifction第23-28页
        2.2.1 Parody第24-26页
        2.2.2 Collage第26-27页
        2.2.3 Anachronism第27-28页
    2.3 The Basic Features of Postmodernity第28-33页
        2.3.1 The Concept of Postmodernity第29-30页
        2.3.2 The Characteristics of Postmodernity第30-33页
3 The Analysis of The French Lieutenant's Woman from Postmodern Metafiction第33-50页
    3.1 Permutation第33-34页
    3.2 Contradiction第34-36页
        3.2.1 Victorian Novel vs. Modern Novel第34-35页
        3.2.2 Sarah's Resistance to Masculine Discourse第35-36页
    3.3 Short Circuit第36-37页
        3.3.1 Fiction vs. Fact第37页
        3.3.2 Subversion of Conventions第37页
    3.4 The Endings第37-41页
        3.4.1 Closed Ending第38页
        3.4.2 Open Ending第38-41页
    3.5 The Narrator's Identities第41-45页
        3.5.1 Heterodiagetic Narrator第41-42页
        3.5.2 Hemodiegetic Narrator第42-44页
        3.5.3 Self-reflexive Narrator "me"第44-45页
    3.6 The Narrative Perspective第45-50页
        3.6.1 The 3rd-person Narrator第46-47页
        3.6.2 Unlimited Narrative Perspective第47-50页
4 Conclusion第50-52页
Acknowledgements第52-53页
References第53-55页
Papers Published in the Period of Ph. M. education第55页

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