| English Abstract | 第1-7页 |
| 中文摘要 | 第7-10页 |
| Chapter 1 Introduction | 第10-14页 |
| ·A Brief Introduction to Maxine Hong Kingston and Her Major Works | 第10-13页 |
| ·Significance of the Thesis Research | 第13-14页 |
| Chapter 2 Postmodernism | 第14-17页 |
| ·Definition of Postmodernism | 第14-15页 |
| ·Major Features of Postmodernism | 第15-17页 |
| Chapter 3 Intertextuality | 第17-29页 |
| ·Intertextuality in the Postmodern Context | 第17-21页 |
| ·On The Woman Warrior in the Light of Intertextuality | 第21-25页 |
| ·The Story of Hua Mulan in Terms of Intertextuality | 第21-22页 |
| ·The Story of Ts'ai Yen | 第22-23页 |
| ·Ts'ai Yen in The Woman Warrior | 第23-25页 |
| ·Peaceful Coexistence of Eastern and Western Cultures | 第25-29页 |
| Chapter 4 Collage: a Mixture of Eastern and Western Stories | 第29-49页 |
| ·Definition of Collage | 第29-31页 |
| ·Collage in The Woman Warrior | 第31-44页 |
| ·Hua Mulan in The Ballad of Mulan | 第31-36页 |
| ·Fa Mulan in The Woman Warrior | 第36-44页 |
| ·The Addition of Mysterious Color of Martial Arts Novels and Kung Fu Movies | 第36-39页 |
| ·Insertion of Meng Jiao's Poem | 第39-40页 |
| ·Collage of the Stories of Famous Tattoo and Yue's Army | 第40-42页 |
| ·The Addition of Feminist Idea | 第42-44页 |
| ·Creating a New Ideal Chinese American Feminine Image | 第44-49页 |
| Chapter 5 Conclusion | 第49-52页 |
| Appendix | 第52-54页 |
| English Bibliography | 第54-57页 |
| Chinese Bibliography | 第57-59页 |
| Acknowledgements | 第59-61页 |
| Papers Published during the Three-Year Study | 第61-62页 |
