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田纳西·威廉斯戏剧中的救赎主题研究

Abstract第4-5页
摘要第6-9页
Introduction第9-21页
    1. Study Background第9-10页
    2. Literary Review第10-19页
        2.1 Studies Abroad第10-16页
        2.2 Studies at Home第16-19页
    3. The Central Argument, Methodology and Research Significance第19-21页
Chapter One The Definition of Salvation第21-31页
    1.1 The Etymological Meaning of Salvation第22-25页
    1.2 The Meaning of Salvation in Tennessee Williams’ Plays第25-31页
Chapter Two The Expression of Salvation in Tennessee Williams’ Plays第31-56页
    2.1 Self-paralysis Salvation in The Glass Menagerie第31-38页
        2.1.1 Penance and Punishment第32-35页
        2.1.2 Memory and Fantasy第35-38页
    2.2 The Sexual Balance in A Streetcar Named Desire第38-45页
        2.2.1 The Kindness of Strangers第39-42页
        2.2.2 The Pursuit of Love Desire第42-45页
    2.3 The Self-communion in The Night of Iguana第45-52页
    2.4 The Progressing of the Theme of Salvation in Tennessee Williams’ Plays第52-56页
Chapter Three The Factors Leading to the Formation of Salvation in Tennessee’s Plays第56-69页
    3.1 The Social Factors第56-60页
    3.2 The Personal Factors第60-69页
        3.2.1 The Influence of Other Writers第61-65页
        3.2.2 The Erotic Motive第65-69页
Chapter Four The Features of Tennessee Williams' Writing the Salvation第69-75页
    4.1 Anti-tradition in Salvation第69-71页
    4.2 Hope in Salvation第71-73页
    4.3 Exile as the Ideal Embodiment of Salvation第73-75页
Conclusion第75-77页
References第77-82页
Acknowledgements第82页

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