ACKNOWLEDGEMENTS | 第5-6页 |
摘要 | 第6-7页 |
ABSTRACT | 第7-8页 |
CHAPTER ONE: INTRODUCTION | 第11-23页 |
1.1 O’NEILL’S ETHNIC BACKGROUND | 第11-13页 |
1.2 LITERATURE REVIEW | 第13-18页 |
1.3 THE THEORY OF JUNG'S PSYCHOANALYSIS | 第18-23页 |
CHAPTERTWO:THE EMPEROR JONES—THE OPPRESSED AND THE OPPRESSOR | 第23-31页 |
2.1 THE CONSCIOUSNESS IN JONES’CHARACTER | 第23-25页 |
2.2 THE PERSONAL UNCONSCIOUS IN JONES’ CHARACTER | 第25-27页 |
2.3 THE COLLECTIVE UNCONSCIOUS IN JONES’ CHARACTER | 第27-31页 |
CHAPTER THREE: ALL GOD’S CHILLUN GOT WINGS—UNBLESSEDINTERRACIAL MARRIAGE | 第31-41页 |
3.1 RACIAL PREJUDICE AS A PSYCHOLOGICAL ARCHETYPE | 第31-34页 |
3.2 SHADOW IN JIM’ CHARACTER—INFERIORITY COMPLEX | 第34-37页 |
3.3 FAILURE OF INDIVIDUATION—ELLA’S MENTAL CRISIS | 第37-41页 |
CHAPTER FOUR: THE ICEMAN COMETH—RACIAL DISCRIMINATION IN THEUNDERPRIVILEGED GROUP | 第41-51页 |
4.1 SEEMING RACIAL UNITY IN HARRY’S BAR | 第42-43页 |
4.2 THE CHARACTER JOE MOTT’S PERSONA | 第43-47页 |
4.3 JOE MOTT’S RACIAL CONSCIOUSNESS:RELINQUISHING THE WHITE MASK | 第47-51页 |
CHAPTERFIVE: CONCLUSION | 第51-53页 |
BIBLIOGRAPHY | 第53-57页 |
攻读学位期间本人出版或公开发表的论著、论文 | 第57-58页 |