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凯瑟琳·安·波特作品的解构主义解读--以《中午酒》及《开花的犹大树》为例

Abstract第3-4页
摘要第5-8页
Chapter One Introduction第8-18页
    1.1 Introduction of Katherine Anne Porter第8-9页
    1.2 Introduction of Noon Wine and Flowering Judas第9-18页
        1.2.1 Literature Review Abroad and at Home第10-15页
        1.2.2 Deconstruction in Noon Wine and Flowering Judas第15-18页
Chapter Two Subversion of Binary Oppositions in Characters of the Two Stories第18-32页
    2.1 Subversion of Binary Oppositions in Noon Wine第19-27页
        2.1.1 Good Versus Evil: Misunderstanding and Coexistence第19-23页
        2.1.2 Helton’s Ostensible Alienation and Real Passion第23-25页
        2.1.3 Outwardly strong Man Versus Inward Strong Woman第25-27页
    2.2 Subversion of Binary Oppositions in Flowering Judas第27-32页
        2.2.1 Braggioni’s Supposed Good and Actual Evil第27-29页
        2.2.2 Laura’s Superficial Passion and True Alienation第29-30页
        2.2.3 Man’s Sentiment Versus Baptism from Woman第30-32页
Chapter Three Themes from Center to Différance of the Two Stories第32-43页
    3.1 From Center to Différance in Noon Wine第34-38页
        3.1.1 Invalid Judiciary System第34-36页
        3.1.2 Law and Morality and Humanity第36-38页
    3.2 From Center to Différance in Flowering Judas第38-40页
        3.2.1 The lost of Faith第38-39页
        3.2.2 Self-doubt and Betrayal第39-40页
    3.3 Author’s Intentions and Textual Themes under Différance第40-43页
Chapter Four Uncertain Language of the Two Stories第43-53页
    4.1 Absence of Omniscient Narrator and Shift of Limited Viewpoint第45-47页
    4.2 Discontinuity and Fragment with the Stream of Consciousness第47-50页
    4.3 Ambiguous Beginning and Open Ending第50-53页
Chapter Five Conclusion第53-55页
Bibliography第55-60页
Acknowledgements第60-61页
在读期间公开发表论文(著)及科研情况第61页

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