摘要 | 第4-6页 |
Abstract | 第6-7页 |
Introduction | 第12-18页 |
Chapter One Literature Review | 第18-24页 |
1.1 Previous Studies of Ellen Glasgow and Barren Ground | 第18-21页 |
1.1.1 Previous Studies of Ellen Glasgow and Barren Ground Abroad | 第18-20页 |
1.1.2 Previous Studies of Ellen Glasgow and Barren Ground in China | 第20-21页 |
1.2 Previous Studies of Transitivity Analysis of Literary Texts | 第21-24页 |
1.2.1 Previous Studies of Transitivity Analysis of Literary Texts Abroad | 第21-22页 |
1.2.2 Previous Studies of Transitivity Analysis of Literary Texts in China | 第22-24页 |
Chapter Two Theoretical Framework | 第24-33页 |
2.1 Basic Concepts of Systemic-Functional Stylistics Theory | 第24-26页 |
2.1.1 SFG and Literary Stylistic Analysis | 第24页 |
2.1.2 Three Metafunctions of SFG | 第24-26页 |
2.1.3 Transitivity Theory and SFG | 第26页 |
2.2 Six Processes in Transitivity Theory | 第26-33页 |
2.2.1 Material Process | 第27-28页 |
2.2.2 Mental Process | 第28页 |
2.2.3 Relational Process | 第28-29页 |
2.2.4 Behavioral Process | 第29页 |
2.2.5 Verbal Process | 第29页 |
2.2.6 Existential Process | 第29-30页 |
2.2.7 Circumstantial Elements | 第30-33页 |
Chapter Three Transitivity Analysis of Dorinda’s New Woman Image in Excerptsof the Three Parts in Barren Ground | 第33-64页 |
3.1 Transitivity Analysis of Germination of Dorinda‘s New Woman Awareness . 22 | 第33-43页 |
3.1.1 Introduction to the First Part ―Broomsedge‖ and Major Findings ofTransitivity Analysis | 第33-34页 |
3.1.2 Transitivity Analysis of Dorinda‘s Contemplating on the Passing Train | 第34-37页 |
3.1.3 Transitivity Analysis of Dorinda‘s Desire for a Blue Dress WhenPassionately in Love with Jason | 第37-39页 |
3.1.4 Transitivity Analysis of Dorinda‘s Decision to Leave Home after BeingBetrayed by Jason | 第39-42页 |
3.1.5 Summary | 第42-43页 |
3.2 Transitivity Analysis of the Development of Dorinda‘s New Woman Image | 第43-52页 |
3.2.1 Introduction to the Second Part ―Pine‖ and Major Findings of TransitivityAnalysis | 第43-44页 |
3.2.2 Transitivity Analysis of Dorinda Coming to Life Again When Talking withDoctor Burch | 第44-47页 |
3.2.3 Transitivity Analysis of Years after Dorinda‘s Parents‘ Death | 第47-52页 |
3.2.4 Summary | 第52页 |
3.3 Transitivity Analysis of the Final Formation of Dorinda‘s New Woman Image | 第52-64页 |
3.3.1 Introduction to the Third Part ―Life-everlasting‖ and Major Findings ofTransitivity Analysis | 第52-53页 |
3.3.2 Transitivity Analysis of the Modern Look of Dorinda‘s Farm | 第53-56页 |
3.3.3 Transitivity Analysis of Dorinda‘s Recolleting of the Past 50 Years | 第56-63页 |
3.3.4 Summary | 第63-64页 |
Conclusion | 第64-68页 |
References | 第68-71页 |
Appendix: Transitivity Analysis of Excerpt One to Excerpt Seven | 第71-94页 |
Acknowledgements | 第94-95页 |