| 摘要 | 第1-6页 |
| ABSTRACT | 第6-9页 |
| Introduction | 第9-11页 |
| Chapter 1 A Review of Henry James and Jamesian Studies | 第11-18页 |
| ·Life of Henry James and his View on the Art of the Novel | 第11-14页 |
| ·Life of Henry James and his Works | 第11-13页 |
| ·James’View of the Art of the Novel | 第13-14页 |
| ·Review of Current Research on Henry James at Home and Abroad | 第14-18页 |
| Chapter 2 Theory of Narratology and the Narrative Techniques in The Portrait of a Lady | 第18-26页 |
| ·A Brief of the Development of the Narrative Theories | 第18-21页 |
| ·Traditional Narrative Theory at the Turn of the 18th and 19th | 第18-20页 |
| ·An Introduction to Modern Narratology | 第20-21页 |
| ·Current Research of Narrative Theories | 第21-22页 |
| ·Narrative Techniques in The Portrait of a Lady | 第22-26页 |
| ·A Brief Summary of the Plot of The Portrait of a Lady | 第22-24页 |
| ·Narrative Techniques in The Portrait of a Lady | 第24-26页 |
| Chapter 3 A Thematic Interpretation of The Portrait of a Lady in the Perspective of Narratology | 第26-47页 |
| ·The Theme of Love and Marriage Foregrounded through Fixed Internal Focalization with Central Consciousness | 第26-33页 |
| ·Isabel’s Change of Attitude towards Madame Merle | 第27-30页 |
| ·Isabel’s Awarness of Osmond’s Nature | 第30-33页 |
| ·The Theme of International Cultural Conflict Presented through Variable Internal Focalization | 第33-44页 |
| ·Ralph Touchett’s Focalization | 第37-40页 |
| ·Mrs. Touchett’s Focalization | 第40-42页 |
| ·Edward Roiser’s Focalization | 第42-44页 |
| ·The Theme of Innocence versus Deception Linear Structural Mode | 第44-47页 |
| ·Internal and External Causes for the Deception of the Innocent | 第44-45页 |
| ·Linear Structural Mode Employed with Depth of Psychological Perception | 第45-47页 |
| Conclusion | 第47-50页 |
| Bibliography | 第50-54页 |
| Acknowledgements | 第54-55页 |
| Appendix A（攻读学位期间发表论文目录） | 第55页 |
